Name: Satyricon
Start: 2013-01-23T00:00:00.000Z
End: 2013-01-23T00:00:00.000Z
Location: Theater an der Wien

Organization

Cantante

Tenor

Christoph Homberger

Trimalchio

Soprano

Ursula Langmayr

Criside

Johanna von der Deken

Quartilla

Bajo

Colin Mason

Niceros

Bajobarítono

Gerd Kenda

Eumolpus

Director(a) orquestal

Emilio Pomárico

Mezzosoprano

Janina Baechle

Fortunata

MusikTheater an der Wien

Others

Klangforum Wien

Satyricon

Viena

Austria

Theater an der Wien

Válido

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor/actriz

Bailarín(a)

Chefdirigent Musiktheater

Chorus Director

Compositor(a)

Coreógrafo(a)

Coro

Director(a) coral

Director(a) de escena

Diseñador(a) de iluminación

Diseñador(a) de sonido

Diseñador(a) de vestuario/Figurinista

Diseñador(a) de video

Dramaturgia

Entrenador(a) vocal

Escenógrafo(a)

Extra

Illustrator

Libretista

Maestro repetidor

Maquillaje

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Orquesta

Otro

Peinado

Photographer

Poet

Producción Ejecutiva

Profesor(a)

Radiodifusión

Stage Manager

Traductor(a)

Wig & Makeup Designer

Writer

Writing and performance

Contratenor

Contralto

Barítono

Alto

Papel de hablante

Papel mudo

Vocalista infantil

In his only partially preserved novel Satyriconthe Roman senator Titus Petronius castigates the perverted debauchery of the nouveau riche upper class in Rome at the time of Nero. Petronius, nicknamed the “arbiter” because he was Nero's “arbiter” of elegance, portrays the political and social decadence of a society on the edge of the abyss with apparent naivety. In 1973, the year he died, Bruno Maderna set the satirical inventory of a society that was dissolving to music. The focus is on the Trimalchio's feast. The former slave has achieved immeasurable wealth, which he flaunts on display in a feast. Maderna worked on this part musically and uncovered the parallels to the twentieth century by means of contemporary expression. The piece avoids any moralizing statement, but creates cross-references through the musical collage technique to the present day. Maderna self-deprecatingly claimed that not a single note was from him. In disordered, loosely arranged scenes, which can be supplemented by recordings, he paints the picture of a society that is bound to perish due to its own decadence. In complete isolation, only music can comfort the broken souls.

English

Satyricon by Maderna, De (2013/2013), Director Emilio Pomárico, Theater an der Wien, Viena, Austria

Créditos de presentación (Elenco & Equipo )

Elenco

Programa, Acerca de & Sinopsis

Más información

Fechas y lugares de actuación

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