Name: Rossinimania
Start: 2015-12-13T00:00:00.000Z
End: 2015-12-13T00:00:00.000Z
Location: Theater an der Wien

Admin

Organization

Cantante

Mezzosoprano

Marie-Nicole Lemieux

Mezzo-soprano

Director(a) orquestal

Jean-Christophe Spinosi

MusikTheater an der Wien

Others

Ensemble Matheus

Rossinimania

Viena

Austria

Theater an der Wien

Grosser Pausenraum

Concierto

Válido

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor/actriz

Bailarín(a)

Chorus Director

Compositor(a)

Coreógrafo(a)

Coro

Director(a) coral

Director(a) de escena

Diseñador(a) de iluminación

Diseñador(a) de sonido

Diseñador(a) de vestuario/Figurinista

Diseñador(a) de video

Dramaturgia

Entrenador(a) vocal

Escenógrafo(a)

Extra

Illustrator

Libretista

Maestro repetidor

Maquillaje

Orchestra Operations

Orquesta

Otro

Peinado

Photographer

Poet

Producción Ejecutiva

Profesor(a)

Radiodifusión

Stage Manager

Traductor(a)

Wig & Makeup Designer

Writer

Writing and performance

Contratenor

Barítono

Soprano

Bajobarítono

Contralto

Bajo

Tenor

Alto

Continuo

Papel de hablante

Papel mudo

Vocalista infantil

At least since the enthusiastically celebrated world premiere of La pietra del paragone at La pietra del paragone in Milan in 1812, an enthusiasm for Rossini spread, which should soon spread throughout Italy. The writer and first Rossini biographer Stendhal describes the mood after the premiere of Tancredi in Venice in 1813 as follows: “Even if the Emperor and King Napoleon had honored Venice with their visit, his arrival would not have distracted anyone from Rossini. It was pure madness, a real sensation, as the beautiful Italian language says ... "

With the performances of Tancredi and L'italiana in Algeri by an Italian opera company in Munich and Vienna, Rossinimania also spread north of the Alps. The famous aria “Di tanti palpiti”, as a Viennese critic criticized in 1817, “sounds here from every corner of the street and room”, and neither Beethoven nor Schubert remained untouched by the general enthusiasm. Whether “the great noise you heard at La Scala” was actually the rebellion of politically unfree Italy transformed into song, as Heinrich Heine said, or the intoxication that Rossini's crescendi provoked, but more about this political bondage should hide it - one thing is certain, that Rossini's music was addicting to its listeners. As the first opera metropolis north of Italy, Vienna played an important role: As early as 1817 a parody by Adolf Bäuerle of Tancredi appeared in the theater in der Josefstadt, whereby the famous “Di tanti palpiti” was replaced by “Die Tant, die talkerti”. And in 1818 Tancredi was given in German for the first time - in the Theater an der Wien, where Marie-Nicole Lemieux and the Ensemble Matheus under Jean-Christophe Spinosi will conjure up a new Rossinimania in 2015!

English

Rossinimania by Various, De (2015/2015), Director Jean-Christophe Spinosi, Theater an der Wien, Viena, Austria

Créditos de presentación (Elenco & Equipo )

Elenco

Programa, Acerca de & Sinopsis

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