Name: Robin Ticciati: Symphonic Concert
Start: 2022-11-25T00:00:00.000Z
End: 2022-11-26T00:00:00.000Z
Location: Berliner Philharmonie

Organization

Deutsches Symphonie Orchester Berlin

Director(a) orquestal

Robin Ticciati

Director(a) coral

Kai-Uwe Jirka

Gijs Leenaars

Orchestra

Others

Rundfunkchor Berlin

Staats- und Domchor Berlin

Cantante

Alto

Karen Cargill

Contralto

Robin Ticciati: Symphonic Concert

Berlín

Alemania

Berliner Philharmonie

Public

Lux Aeterna

Sinfonía n.º 3 en re menor

Matias Vergara Moyano

Válido

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor/actriz

Bailarín(a)

Chorus Director

Compositor(a)

Coreógrafo(a)

Coro

Director(a) de escena

Diseñador(a) de iluminación

Diseñador(a) de sonido

Diseñador(a) de vestuario/Figurinista

Diseñador(a) de video

Dramaturgia

Entrenador(a) vocal

Escenógrafo(a)

Extra

Illustrator

Libretista

Maestro repetidor

Maquillaje

Orchestra Operations

Orquesta

Otro

Peinado

Photographer

Poet

Producción Ejecutiva

Profesor(a)

Radiodifusión

Stage Manager

Traductor(a)

Wig & Makeup Designer

Writer

Writing and performance

Barítono

Tenor

Contratenor

Soprano

Mezzosoprano

Bajo

Bajobarítono

Continuo

Papel de hablante

Papel mudo

Vocalista infantil

Programme

György Ligeti
›Lux aeterna‹

Gustav Mahler
Symphony No. 3 in D minor for mezzo-soprano, boy’s choir, women’s choir and orchestra
Artists

Robin Ticciati Conductor

    Karen Cargill Mezzo-soprano

Rundfunkchor Berlin
Staats- und Domchor Berlin
Gijs Leenaars Choirmaster
Kai-Uwe Jirka Choirmaster

Deutsches Symphonie-Orchester Berlin
About the concert

Like Beethoven, Gustav Mahler often created neighbouring symphonies as contrasts. This is the case with the Fourth Symphony, which has a leaner orchestration and is shorter than the Third, or with the Seventh Symphony, which, at least in its euphoric finale, presents a contrast to the tragic content of the Sixth. With his third contribution to the genre, however, the composer directly competed with the monumentality, temporal extension and spiritual dimension of the preceding Second Symphony. In both works, instrumental sections are followed by a second segment with solo voices and choirs, although in the Third Symphony, the last movement is again reserved for the orchestra alone.
Less info

Originally, the “content” of the work was characterised by the titles of the movements, which spoke of flowers, animals, people and love. With regard to the last movements, Mahler moreover spoke of the “realm of spirits” and of angels; he entrusted their voices to a children’s choir. Even though the composer later withdrew the programme, its aspects can easily be discovered in the completed symphony, which premiered in Krefeld in 1902 under the direction of the composer. Mahler’s grand, pantheistic-religious vision encompasses the famous “Naturlaut” (sound of nature), evocations of the folkloric, such as in the enchanting post horn episode of the third movement, and a finale composed as a beguiling hymn to love.

Robin Ticciati, who last performed Mahler’s First Symphony and the Adagio of the Unfinished Tenth Symphony with the DSO, begins the concert with a piece by György Ligeti, which, despite its brevity of around ten minutes, opens up a planetary dimension, as it were. Nietzsche’s line “Doch alle Lust will Ewigkeit” (“But all joy seeks eternity”) is sung by a solo mezzo-soprano in the fourth movement of Mahler’s symphony; and Ligeti also focuses on eternity in his a cappella composition ‘Lux aeterna’ for mixed choir. It is among the works by the Hungarian composer that Stanley Kubrick used to greatest effect in his film ‘2001: A Space Odyssey’.

English

Robin Ticciati: Symphonic Concert by Ligeti, Mahler, De (2022/2022), Director Robin Ticciati, Berliner Philharmonie, Berlín, Alemania

Créditos de presentación (Elenco & Equipo )

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Programa, Acerca de & Sinopsis

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