Name: Rigoletto
Start: 2024-03-15T00:00:00.000Z
End: 2024-06-15T00:00:00.000Z
Location: Opernhaus

Organization

Dyrygent

Anna Skryleva

Reżyseria

Anthony Pilavachi

Scenografia

Tatjana Ivschina

Kostiumy

Reżyseria światła

Michael Röger

Dramaturgia

Christian Geltinger

Mezzosopran

Nora Steuerwald

Giovanna

Kontralt

Karin Lovelius

Maddalena

Tenor

Piotr Buszewski

Książę Mantui

Baryton

Daniel Luis de Vicente

Rigoletto

Olafur Sigurdarson

Peter Dolinsek

Monterone

Jonathan Michie

Marullo

Sven Hjörleifsson

Borsa

Sejong Chang

Sparafucile

Randall Jakobsh

Gewandhaus Leipzig

Oper Leipzig

Others

Chor der Oper Leipzig

Orchestra

Gewandhausorchester

Przygotowanie chóru

Thomas Eitler-de Lint

Frieder Flesch

Annika Sofia Westlund

Sopran

Athanasia Zöhrer

Gilda

Katharina von Hassel

Paź

Maria-Teresa Martini

Hrabina Ceprano

Christian Moellenhoff

Hrabia Ceprano

Marian Müller

Kathrin Göring

Bianca Tognocchi

Frank Wernstedt

Dowódca straży

Katerina von Bennigsen

włoski

Lipsk

Niemcy

Opernhaus

Rigoletto Verdi

Public

Private

niemiecki

Approved

Da hat Rigoletto nichts mehr zu lachen: Als Hofnarr des notorischen Frauenhelden Herzog von Mantua ist es sein tägliches Brot, sich bösartig über die Opfer seines Herren und ihre gedemütigten Väter lustig zu machen, bis es eines Tages seine eigene Tochter Gilda ist, die in die Fänge des Herzogs gerät. Inspiriert von Victor Hugos Drama »Le roi s’amuse brachte Verdi mit »Rigoletto« einen zeitlosen Opernklassiker zu Papier.

Deutsch

Opera in three acts | Text by Francesco Maria Piave after the verse drama Le roi s’amuse (1832) by Victor Hugo | In Italian with German supertitles | Playing time ca. 3 hours | Two intermissions
»Le roi s’amuse«, translated into English as The King’s Fool, Victor Hugo’s acclaimed play, is the model for Verdi’s ever-popular opera »Rigoletto«. For his own personal amusement and that of his decadent court, the Duke of Mantua employs Rigoletto, his hunchbacked court jester. In anticipatory obedience, Rigoletto serves his master’s need for vulgar entertainment, not shying away from presenting his pleasure-seeking employer with the daughters of noble society on a silver platter. At home, he is a devoted father, who heavy-handedly protects his daughter Gilda from the darker side of humanity. But Rigoletto’s double life dooms him when Gilda falls in love with the Duke, in disguise as a young student. The Duke’s frivolous, laddish canzone (»La donna è mobile«) becomes a portent of death for Rigoletto. Anthony Pilavachi achieved national attention in the public as well as the press as the director of the Ring des Nibelungen in Lübeck, and turns his attention to this part of the so-called Trilogia popolare for Leipzig in the Verdi Year.

English

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Współproducent