Name: Rigoletto
Start: 2022-03-18T00:00:00.000Z
End: 2022-03-20T00:00:00.000Z
Location: Patriots Theater

Organization

Bariton

Robert Balonek

Rigoletto

Sopran

Susanne Burgess

Gilda

Tenor

Jeremy Brauner

Der Herzog von Mantua

Bass

Jeremy Galyon

Sparafucile

Devony Smith

Madalena

Martin Hargrove

Graf von Monterone

Dirigat

Joseph Pucciatti

Boheme Opera NJ

Others

The Boheme Opera NJ Chorus

Orchestra

The Boheme Opera NJ Orchestra

Trenton

Vereinigte Staaten

Patriots Theater

Public

Genehmigt

Instrumentalist

Klavier

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Komposition

Regie

Libretto

Bühnenbild

Kostümbild

Choreographie

Lichtgestaltung

Tänzer

Schauspiel

Chordirektion

Videogestaltung

Dramaturgie

Übersetzung

Tongestaltung

Korrepetition

Maske

Leitender Produzent

Haar

Andere

Stage Manager

Chor

Orchester

Poet

GesangslehrerIn

Lehrer

Photographer

Rundfunk

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Countertenor

Bass-Bariton

Mezzosopran

Gesprochen

Kinderstimme

Leise

Alto

Continuo

Rigoletto Verdi

Part of production
Boheme Opera NJ production of Rigoletto. The Cortigiani scene
Rigoletto - Robert Balonek
Conductor - Joseph Pucciatti
with the Boheme Opera Orchestra and Chorus

The King Is Not Amused
Verdi’s operatic tour de force of passion and vengeance had better luck – and life – than its source material.

Rigoletto is based on a five-act play by Victor Hugo, of The Hunchback of Notre-Dame and Les Misérables fame, titled Le roi s’amuse (The King Amuses Himself). The king in question was the ill-regarded Francis I, who ruled France in the early 16th century. However, it was a later French king, Louise-Philippe I, whose censors shuttered and banned Hugo’s play after opening night in 1832 because they saw it as critical of the ruler – not to mention “scandalizing” society with its salacious content.

Just as his characters in Les Misérables took to the barricades, Hugo took his fight to court – and lost. Le roi s’amuse was banned in France for the next 50 years. 

Meanwhile, Rigoletto’s 1851 sparkling debut ensured its – and cemented Verdi’s – place in the operatic pantheon. And while its success owed much to the maestro’s artistic gifts, it might have owed even more to the backroom drama, political wrangling and ego stroking, and story massaging that went into ensuring that the opera could see the light of day and not suffer its dramaturgical predecessor’s fate.

An Unsettling Setting in a Troubled Time
Boheme Opera’s production of Rigoletto is firmly footed in 1930’s Europe, where fascism was on the rise and democracy was under attack. The era’s ascendant dictators – like Hitler and Mussolini – built their regimes on fear. But they couldn’t commit their atrocities without subjects willing to act on their behalf. Some followed because of that fear – to quote the 1999 movie The Mummy, “It is better to be the right hand of the devil than in his path.” Others hitched their wagons because they were as intrinsically evil as their leaders and saw opportunities for both financial and political gain – and to act unchained upon their most depraved instincts, biases, hatreds and lusts.

The Duke of Mantua, his court and all the attendant characters – including the Duke’s deformed jester, Rigoletto, and his ill-fated daughter, Gilda – are purposely placed in this setting to lay raw the emotions of fear, lust, hatred and more upon which the story of Rigoletto is based. The Duke rules by terror and cruelty. He is aided and abetted by those who both fear his wrath and see an opening to personally benefit from his actions – as well as a chance to indulge their own, and feed the Duke’s, sociopathic appetites. 

The main action of Rigoletto is set in motion by an angry father’s curse – but it comes to fruition thanks to some of the most accursed characters to ever take the operatic stage.

English

Rigoletto by Verdi, Ab (2022/2022), Dirigat Joseph Pucciatti, Patriots Theater, Trenton, Vereinigte Staaten

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Ensemble

Programm, Info & Synopsis

Videos

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte