Name: Rigoletto
Start: 2022-03-03T00:00:00.000Z
End: 2022-03-13T00:00:00.000Z
Location: Palais Opéra

Organization

Cantante

Barítono

Amartuvshin Enkhbat

Rigoletto

Director(a) de escena

John Turturro

Director(a) orquestal

Daniel Oren

Escenógrafo(a)

Francesco Frigeri

Diseñador(a) de vestuario/Figurinista

Marco Piemontese

Tenor

Ivan Ayon-Rivas

Duque de Mantua

Diseñador(a) de iluminación

Alessandro Carletti

Coreógrafo(a)

Giuseppe Bonanno

Director(a) coral

Denis Segond

Bajo

Rubén Amoretti

Sparafucile

Contralto

Sarah Laulan

Maddalena

Mezzosoprano

Caroline De Mahieu

Giovanna

Patrick Bolleire

El Conde de Monterone

Alexander Marev

Matteo Borsa

Margaux de Valensart

La Condesa de Ceprano

Sebastian Catana

Soprano

Enkeleda Kamani

Gilda

Ivan Thirion

Marullo

Benoît Delvaux

El Conde de Ceprano

Benoît Scheuren

Un ujier

Giuseppe Gipali

Jodie Devos

Lucie Kaňková

Opéra Royal de Wallonie - Liège

Teatro Massimo di Palermo

Others

Choeur de l'Opéra Royal de Wallonie-Liège

Choeur du Conservatoire Royal de Liège

Orchestra

IMEP

Royal Opera of Wallonia Orchestra

italiano

Lieja

Bélgica

Palais Opéra

Public

Válido

" Oh ! The King is having fun is the greatest story and perhaps the most beautiful drama of modern times. Triboulet is a character worthy of Shakespeare! So shake up Venice from top to bottom and get the censorship to accept the subject. "- VERDI, LETTER TO PIAVE, MAY 8, 1850

The immense success of Rigoletto when it was founded in 1851 has never been denied since. An absolute masterpiece, this is indeed, as Verdi foresaw, an inescapable drama to be seen and re-examined without moderation! First part of the “Popular Trilogy” shortly before La Traviata and Il Trovatore , Rigoletto, according to Victor Hugo, was the object of a rejection by the intractable Venetian censorship forcing librettist and composer to completely review their work. This passionate masterpiece where hatred, violence, love, curse and revenge come together, distills sublime music, the first part of a new style combining theatrical realism and melodic seduction. The famous aria, “La Donna è mobile”, is only the tip of the iceberg and the hits are happily linked throughout the work. Aware of the effectiveness of his melodies and to avoid plagiarism, Verdi had even forbidden the singers to hum them outside the theater ...

English

Créditos de presentación (Elenco & Equipo )

Elenco

Equipo

Ensamble

Coproductor