Name: Requiem, K. 626
Start: 2023-01-15T00:00:00.000Z
End: 2023-01-15T00:00:00.000Z
Location: Théâtre des Champs-Elysées

Organization

Soprano

Hermione Bernard

Contralto

Marion Harache

Alto

Tenor

Jordan Mouaissia

Bass

Kevin Arboleda Oquendo

Conductor

Henri Chalet

Pianist

Manuel Vieillard

David Salmon

Théâtre des Champs-Elysées

Others

Chœur et solistes de la Maîtrise de Notre-Dame de Paris

Requiem, K. 626 -  (Requiem)

Paris

France

Requiem, K.626 Mozart

Public

Requiem

Approved

Instrumentalist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Mezzo-soprano

Singer

Baritone

Countertenor

Bass-baritone

Spoken

Child vocalist

Silent

Continuo

Oubliez l’Amadeus signé Miloš Forman, donc l’image de Salieri recueillant les notes du Requiem de la bouche d’un Mozart guetté par la Faucheuse. La majeure partie de l’achèvement de cette ultime partition revint en réalité à Franz Xaver Süssmayer (1766-1803). Lequel avait déjà permis à l’auteur surmené de La Flûte enchantée, qui le tenait pourtant pour une moitié d’incapable, de boucler les récitatifs de La Clémence de Titus dans les délais. Vers 1827, l’abbé Maximilian Stadler (1748-1833), qui avait lui-même aidé à orchestrer quelques mesures de l’œuvre, en commande une transcription pour piano à quatre mains au virtuose Czerny, né l’année de la mort du divin Wolfgang. Une messe des morts que le Duo Geister ressuscitera en compagnie de la Maîtrise Notre-Dame de Paris.

français

Forget the Amadeus signed Miloš Forman, therefore the image of Salieri collecting the notes of the Requiem from the mouth of a Mozart watched by the Grim Reaper. Most of the completion of this final score actually fell to Franz Xaver Süssmayer (1766-1803). Which had already allowed the overworked author of The Magic Flute , who nevertheless considered him half incapable, to complete the recitatives of The Clemency of Tituson time. Around 1827, Father Maximilian Stadler (1748-1833), who had himself helped to orchestrate a few bars of the work, commissioned a transcription for piano four hands from the virtuoso Czerny, born the year of the death of divine Wolfgang. A mass for the dead that the Duo Geister will resurrect in the company of the Maîtrise Notre-Dame de Paris.

English

Requiem by Mozart, Frá (2023/2023), Hljómsveitarstjóri Henri Chalet, Théâtre des Champs-Elysées, Paris, France

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