Name: Pikovaya Dama
Start: 2025-04-03T00:00:00.000Z
End: 2025-04-16T00:00:00.000Z
Location: Teatro Regio

Organization

Admin

Teatro Regio di Torino

Teatro Comunale di Bologna

Den Norske Opera & Ballet

Canadian Opera Company

Dyrygent

Valentin Uryupin

Reżyseria

Richard Jones

Scenografia

John Macfarlane

Kostiumy

Reżyseria światła

Jennifer Tipton

Przygotowanie chóru

Ulisse Trabacchin

Claudio Fenoglio

Orchestra

Orchestra del Teatro Regio di Torino

Others

Coro del Teatro Regio di Torino

Tenor

Mikhail Pirogov

Herman

Sopran

Zarina Abaeva

Liza

Baryton

Elchin Azizov

Hrabia Tomski

Złatogor

Mezzosopran

Jennifer Larmore

Hrabina

Kontralt

Deniz Uzun

Paulina

Milowzor

Alexey Dolgov

Czekaliński

Vladimir Sazdovski

Suryn

Ksenia Chubunova

Guwernantka

Joseph Dahdah

Czaplicki

Mistrz ceremonii

Viktor Shevchenko

Narumow

Irina Bogdanova

Masza

Albina Tonkikh

Prilepa

Vladimir Stoyanov

Książę Jelecki

Pikovaya Dama -  (Dama pikowa)

Turyn

Włochy

Teatro Regio

Pikovaya Dama Tchaikovsky, P. I.

Public

Private

Dama pikowa

Candela Meluzio

Approved

Čajkovskij considerava La dama di picche il suo miglior lavoro in assoluto: compose l’opera nel 1890 spinto da un’ispirazione travolgente, su un libretto del fratello tratto da un racconto breve di Puškin, uno dei più celebrati poeti russi. La storia è ambientata a San Pietroburgo, alla fine del Settecento. Il protagonista, Hermann, scopre che una vecchia contessa possiede un metodo infallibile per vincere a carte: essendo ossessionato dal gioco d’azzardo, per ottenere il segreto seduce Liza, la nipote dell’anziana. Il compositore riesce in modo magistrale a temperare il senso di tragedia imminente, espresso in arie di grande intensità e dolore, con pagine permeate di nostalgia per il passato, in cui si rende continuamente omaggio allo stile rococò e a Mozart, di cui Čajkovskij era un fervente ammiratore.

Conferenza-Concerto: mercoledì 26 Marzo ore 18 - Foyer del Toro

italiano

Tchaikovsky considered The Queen of Spades to be his best work ever. Composed in 1890 in a flurry of inspiration, the opera is set to the libretto written by his brother, based on a novella by the celebrated Russian poet Pushkin. The story unfolds in St. Petersburg at the end of the seventeen hundreds. Hermann, the lead character, hears that an old countess knows of an infallible method for winning at cards. His obsession with gambling leads him to seduce her granddaughter, Liza, in an effort to learn the secret. The composer shows all his masterly skill in drawing out the sense of imminent tragedy, conveyed in arias of tremendous intensity and pain, permeating the scene with a nostalgia for the past that pays constant tribute to Mozart’s rococo style, which Tchaikovsky greatly admired.


In this production by Richard Jones for the Welsh National Opera, the story is brought forward to early twentieth-century Russia, where relics of the country’s grand imperial past appear in the midst of the post-revolutionary chaos. In this setting, Hermann’s maniacal hallucinations take on grotesque turns, rendered on stage in the most surprising way. After a brilliant debut at the Teatro Regio in 2023 with Rimsky-Korsakov’s The Tsar’s Bride, maestro Valentin Urypin returns to conduct the Teatro Regio orchestra and chorus and a group of soloists specialised in late nineteenth-century Russian repertoire. And with them returns the ever-glorious Jennifer Larmore.

English

Dama pikowa by Tchaikovsky, P. I., od (2025/2025), W reżyserii Richard Jones,, Dyrygent Valentin Uryupin, Teatro Regio, Turyn, Włochy

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Współproducent

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca