Name: L'Invisible
Start: 2025-03-30T00:00:00.000Z
End: 2025-05-02T00:00:00.000Z
Location: Oper Frankfurt

Organization

Admin

Oper Frankfurt

Conductor

Titus Angel

Stage director

Daniela Löffner

Set designer

Fabian Wendling

Costume designer

Teresa Vergho

Lighting designer

Joachim Klein

Dramaturge

Maximilian Enderle

Singer

Soprano

Irina Simmes

Ursula

Marie

Ygraine

Mezzo-soprano

Karolina Makuła

Marthe

Bellangère

Cláudia Ribas

La servante

Bass-baritone

Erik Van Heyningen

Grand-père

Le Vieux

Aglovale

Tenor

Gerard Schneider

L'oncle

L'étranger

Countertenor

1. servante

Baritone

Sebastian Geyer

Der Vater

Orchestra

Frankfurter Opern- und Museumsorchester

franceză

L'Invisible -  (The Invisible)

Frankfurt (Oder)

Germany

L'Invisible Reimann

Public

The Invisible

Delfina Gago

germană

engleză

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Aribert Reimann's opera L'invisible combines three plays by Maurice Maeterlinck into a poetic reflection on the power of death: L'intruse shows a mother struggling for survival in childbirth. While most of their relatives fail to recognize the seriousness of the situation, only the blind grandfather notices the arrival of an invisible stranger. Intérieur takes the suicide of a young woman as its starting point. Two men are supposed to inform the family of the deceased and ask themselves whether it wouldn't be more humane to keep quiet about the bitter truth. La mort de Tintagiles is reminiscent of a dark fairy tale: an old queen lures her grandson Tintagiles into her kingdom in order to have him murdered as her potential heir to the throne. Supported by his sisters, Tintagiles is initially able to defend himself. But eventually he too disappears into his grandmother's mysterious castle.

Maeterlinck's dramas from the late 19th century oscillate between bourgeois realism and symbolist ambiguity. The everyday always refers to the abyss of death, which is also omnipresent in Reimann's score. The characters' fears and premonitions are experienced not only in expressive vocal lines, but also in iridescent orchestral interludes. A contrasting instrumentation allows the three pieces to blend together.

English

Aribert Reimanns Oper L’invisible verbindet drei Theaterstücke von Maurice Maeterlinck zu einer poetischen Reflexion über die Macht des Todes: L’intruse zeigt eine Mutter, die im Kindbett ums Überleben ringt. Während ein Großteil ihrer Angehörigen den Ernst der Lage verkennt, nimmt nur der blinde Großvater die Ankunft eines unsichtbaren Fremden wahr. Intérieur hat den Selbstmord einer jungen Frau zum Ausgangspunkt. Zwei Männer sollen die Familie der Verstorbenen darüber in Kenntnis setzen und fragen sich, ob es nicht menschlicher wäre, die bittere Wahrheit zu verschweigen. La mort de Tintagiles erinnert an ein düsteres Kunstmärchen: Eine alte Königin lockt ihren Enkel Tintagiles in ihr Reich, um ihn als ihren potenziellen Thronfolger ermorden zu lassen. Unterstützt von seinen Schwestern, kann sich Tintagiles zunächst zur Wehr setzen. Doch schließlich verschwindet auch er im geheimnisvollen Schloss seiner Großmutter.

Maeterlincks Dramen aus dem ausgehenden 19. Jahrhundert oszillieren zwischen bürgerlichem Realismus und symbolistischer Vieldeutigkeit. Das Alltägliche verweist stets auf den Abgrund des Todes, der auch in Reimanns Partitur omnipräsent ist. Die Ängste und Vorahnungen der Figuren werden nicht nur in expressiven Gesangslinien, sondern auch in irisierenden Orchesterzwischenspielen erfahrbar. Eine kontrastreiche Instrumentation lässt die drei Stücke dabei sogartig miteinander verschmelzen.

Deutsch

The Invisible by Reimann, De la (2025/2025), Regizat de către Daniela Löffner,, Dirijor Titus Angel, Oper Frankfurt, Frankfurt (Oder), Germany

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