Name: Jenůfa
Start: 2025-01-15T00:00:00.000Z
End: 2025-02-01T00:00:00.000Z
Location: Royal Opera House

Admin

Royal Opera House

Художник-постановщик

Michael Levine

Художник по костюмам

Gesine Völlm

Художник по свету

James Farncombe

Хореограф

Teresa Rotemberg

Режиссер-постановщик

Claus Guth

Видеодизайнер

Rocafilm

Драматург

Yvonne Gebauer

Дирижер

Jakub Hrůša

Хормейстер

William Spaulding

Soprano

Corinne Winters

Енуфа

Karita Mattila

Дьячиха

Тенор

Thomas Atkins

Штева Бурыйа

Nicky Spence

Лаца Клемень

Контральто

Hanna Schwarz

Бабушка Бурыйа

Баритон

James Cleverton

Старик

Бас

Jonathan Lemalu

Староста

Меццо-сопрано

Marie McLaughlin

Старостиха

Valentina Puskás

Каролка

Певец

Isabela Diaz

Jana

Veena Akama-Makia

Herdswoman

Cai Jingwen

Barena

Orchestra

Orchestra of the Royal Opera House

Others

Chorus of the Royal Opera House

чешский

Jenůfa -  (Енуфа)

Лондон

Великобритания

Main Stage

Public

Sharan Allad

английский

Одобрено

Corinne Winters (Jenůfa) and Karita Mattila (the Kostelnička) lead in Janáček’s evocative opera with a score that is infused with traditional folk melodies of the composer’s native Moravia. Music Director Designate Jakub Hruša conducts Claus Guth’s staging which is an ‘edgy, evocative’ (Telegraph) take on this poignant domestic drama.

THE MUSIC OF JENŮFA 
Janáček’s folk-inspired music movingly captures Jenůfa’s progression from hope to despair to eventual radiant happiness, while her stepmother, the Kostelnička, is one of opera’s most complex maternal figures. Writer Nigel Simeone describes the unique structure of Janáček's stirring music as such: ‘Every character has his or her own musical language, and Janáček sets down a pattern that will serve him for all of his mature operas. A theme, often as short as four notes, dominates each scene [of the opera] but then gives way to another, equally memorable'.  

WHAT IS A KOSTELNIČKA?  
Jenůfa's stepmother is referred throughout Janáček’s opera as ‘the Kostelnička’, a title given to a village church-warden or elder. Initially presenting as a strong matriarch who is fiercely protective of Jenůfa, the Kostelnička has one of the more dramatic – and dark – character transformations across opera. As Jenůfa's future is turned increasingly precarious by her illegitimate child, the Kostelnička’s maternal instinct morphs into obsessive determination... In a small, stifling community, how far must a mother go to protect her child?

English

Участие в выступлениях (Исполнители и постановщики )

Исполнители

Постановочная труппа

Ансамбль