Name: Don Giovanni
Start: 2025-03-09T00:00:00.000Z
End: 2025-03-22T00:00:00.000Z
Location: Gärtnerplatztheater

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Stage director

Herbert Föttinger

Set designer

Walter Vogelweider

Costume designer

Alfred Mayerhofer

Lighting designer

Michael Heidinger

Dramaturge

David Treffinger

italiană

Don Giovanni

Munich

Germany

Gärtnerplatztheater

Don Giovanni Mozart

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Sharan Allad

germană

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DON GIOVANNI, Oper19. Mai bis 10. Juli 2018www.gaertnerplatztheater.de/giovanniPremiere: 24. Juni 2017, CuvilliéstheaterMusik von Wolfgang Amadeus MozartLibr...

Don Juan stands alongside Faust and Don Quixote as one of the most significant figures in European cultural history: As seducer and rapist, lover and murderer in one, he became a fascinating myth, replicated a thousand times over in all forms of art and constantly reshaped. As the archetypal ladies' man, he fascinates young and old of both genders and is at once the ultimate, coveted dream and admired idol and also the unscrupulous egomaniac and gruesome demon. When Mozart and his librettist Lorenzo Da Ponte decided to tackle this familiar material, they were able to build on an already rich tradition. In the 1780s, a number of Don Juan operas had been created, which meant firstly that this subject matter was extremely popular with audiences, but it also offered opportunities for depicting this prominent figure in a new, more complex way. The dramatic composition of the opera was in itself extremely innovative, in so far as it had been conceived and executed as a comic opera and yet starts with a murder and ends with Don Giovanni's dramatic descent into Hell. In addition, the complex title figure in Mozart's and Da Ponte's version offers a wealth of interpretative possibilities. Although the opera was unable to repeat the triumph of the first performance in Prague on 29 October 1787 during Mozart's lifetime, today it is undisputedly one of the most important works in the repertoire.

English

Don Juan zählt neben Faust und Don Quijote zu den bedeutendsten Figuren der europäischen Kulturgeschichte: Als Verführer und Vergewaltiger, Liebhaber und Mörder in einem wurde er zu einem anziehenden Mythos, der tausendfach in allen Formen der Kunst rezipiert und immer wieder neu gestaltet wurde. Als Archetyp des Frauenhelden fasziniert er Jung und Alt beiderlei Geschlechts und ist bald begehrter Wunschtraum und bewundertes Idol, bald gewissenloser Egomane und grausamer Dämon. Als sich Mozart und sein Librettist Lorenzo Da Ponte für eine Bearbeitung des bekannten Stoffes entschieden, konnten sie bereits auf eine reiche Tradition aufbauen. In den 1780er-Jahren war eine Vielzahl von Don-Juan-Opern entstanden, was zum einen bedeutete, dass das Publikum dieses Sujet besonders begehrte, zum anderen aber auch die Möglichkeit bot, die prominente Figur neu und vielschichtiger zu deuten. Schon die Dramaturgie der Oper war von beachtlicher Innovativität, insofern sie zwar als komische Oper konzipiert und ausgeführt worden war, aber mit einem Mord beginnt und von Don Giovannis nicht undramatischer Höllenfahrt beendet wird. Zudem bietet die komplexe Titelfigur in Mozarts und Da Pontes Bearbeitung überreiche Interpretationsmöglichkeiten. Zwar konnte die Oper zu Mozarts Lebzeiten den Triumph der Prager Uraufführung am 29. Oktober 1787 nicht wiederholen, heute jedoch zählt sie unangefochten zu den wichtigsten Werken des Repertoires.

Deutsch

Don Giovanni by Mozart, De la (2025/2025), Regizat de către Herbert Föttinger,, Gärtnerplatztheater, Munich, Germany

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