Name: L'Orfeo
Start: 2025-06-29T00:00:00.000Z
End: 2025-07-11T00:00:00.000Z
Location: Opernhaus

Admin

Opernhaus Zürich

Tenor

Krystian Adam

Orfeo

Designer de Iluminação

Martin Gebhardt

Designer de Vídeo

Tieni Burkhalter

Orchestra

La Scintilla

Others

Zurich Sing Academy

Diretor de Palco

Evgeny Titov

Cenógrafo

Chloe Lamford

Noemi Daboczi

Estilista

Annemarie Woods

Mestre de Coro

Marco Amherd

Dramaturgo

Claus Spahn

Baixo

Mirco Palazzi

Caronte

Plutone

Mark Milhofer

Apollo

Massimo Altieri

Primo pastore

Luca Cervoni

Secondo pastore

Barítono

Tobias Knaus

Terzo pastore

Cantor

Yves Brühwiler

Quarto pastore

Soprano

Josè Maria Lo Monaco

La Musica

La Messaggera

Miriam Kutrowatz

Euridice

Simone Mcintosh

Proserpina

La Speranza

Isabel Pfefferkorn

La Ninfa

italiano

L'Orfeo -  (Orfeu)

Zurique

Suíça

Opernhaus

Public

Orfeu

Sharan Allad

alemão

inglês

Approved

Instrumentalist

Pianista

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Trombonist

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Compositor

Maestro

Libretista

Coreógrafo

Dançarino

Ator

Tradutor

Designer de Som

Repetidor

Maquiador

Produtor executivo

Estilista de cabelo

Other

Stage Manager

Coral

Orquestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Baixo-barítono

Singer

Contratenor

Mezzo-soprano

Contralto

Spoken

Vocalista Infantil

Silent

Alto

Continuo

A new era in music history began in Mantua in 1607. The first strains of Orfeo, a musical fable written by Claudio Monteverdi, the local court composer, rang out before a small circle of courtly guests. The world premiere marked nothing less than the birth of opera as an art form, for the composer was the first to understand what it meant when music became a sung scene. Embedded in a dramatic plot, the characters on stage turn their innermost feelings outward in a way never before possible, revealing tender emotions and singing from the depths of their souls of the pain of love. The hero of Monteverdi’s first opera is Orpheus, the Thracian singer, whose voice can soften even stone. His song is imbued with the power of total transcendence: on his way to bring his beloved Euridice back from the underworld, his song of supplication succeeds in putting the ferryman Charon to sleep on the banks of the Styx, thus allowing him to cross into the realm of the dead. This scene alone makes it clear what utopian potential Claudio Monteverdi attributed to dramatic song.
Stage director Evgeny Titov, who hails from the world of dramatic theater, has matured into one of the rising stars of the international opera world. He once again demonstrates his talent for capturing extreme human emotions in surprising, evocative images in his production of Orfeo for the Opernhaus Zürich. As in last season’s premiere series, Italian conductor and harpsichordist Ottavio Dantone will conduct.

English

Im Jahr 1607 brach in Mantua eine neue Zeitrechnung der Musikgeschichte an. Vor einem kleinen Kreis höfischer Gäste erklang zum ersten Mal Orfeo, die musikalische Fabel des örtlichen Hofkomponisten Claudio Monteverdi. Die Uraufführung markiert nicht weniger als die Geburtsstunde der Kunstform Oper, denn der Komponist hatte als erster erkannt, was es heissen kann, wenn Musik gesungene Szene wird: Eingebunden in einen dramatischen Handlungskontext, kehren die Figuren auf der Bühne wie nie zuvor ihr innerstes Empfinden nach aussen, offenbaren zarte Herzensregungen und singen sich tiefsten Liebesschmerz von der Seele. Der Held in Monteverdis erster Oper ist Orpheus, der thrakische Ursänger, der zum Steinerweichen schön singt. Seinem Gesang wohnt die Kraft totaler Grenzüberschreitung inne: Auf dem Weg, seine Geliebte Euridice aus der Unterwelt zurückzuholen, gelingt es ihm mit seinem Bittgesang am Ufer des Styx, den Fährmann Caronte in den Schlaf zu versetzen und so die Schwelle zum Totenreich zu überschreiten. Alleine diese Szene macht deutlich, welches utopische Potenzial Claudio Monteverdi dem dramatischen Gesang zuschrieb.
Der vom Schauspiel kommende Regisseur Evgeny Titov ist in wenigen Jahren zu einem Shooting-Star unter den Regisseurinnen und Regisseuren des internationalen Opernbetriebs gereift. In seiner Orfeo-Inszenierung für das Opernhaus Zürich beweist er einmal mehr seine Begabung, extreme menschliche Seelenlagen in überraschende, suggestive Bilder zu kleiden. Die musikalische Leitung hat, wie schon in der Premierenserie in der vergangenen Spielzeit, der italienische Dirigent und Cembalist Ottavio Dantone.

Deutsch

Orfeu by Monteverdi, De (2025/2025), Dirigido por Evgeny Titov,, Opernhaus, Zurique, Suíça

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