Name: Poems And Portraits
Start: 2025-05-10T00:00:00.000Z
End: 2025-05-10T00:00:00.000Z
Location: Meridian Arts Centre

Admin

Kindred Spirits Orchestra

Dyrygent

Kristian Alexander

Orchestra

Pianista

Dmitri Levkovich

Piano

Poems And Portraits

Toronto

Kanada

Meridian Arts Centre

George Weston

Poems And Portraits: Prélude à l'après-midi d'un faune, L 86 Debussy (+2 More)

Public

Concert

Koncert

Prélude à l'après-midi d'un faune, L 86

Piano Concerto No. 1, Sz. 83

Symphony No. 7 in C Major, op. 60

Saileshwaran Thirumurthy

Approved

Instrumentalist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Kompozytor / -ka

Reżyseria

Libretto

Scenografia

Kostiumy

Choreografia

Reżyseria światła

Taniec

Aktor

Przygotowanie chóru

Wideo

Dramaturgia

Tłumaczenie

Realizacja dźwięku

Korepetytor /- ka

Makijaż

Produkcja wykonawcza

Fryzjer

Other

Stage Manager

Chór

Orkiestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Kontratenor

Singer

Tenor

Mezzosopran

Baryton

Bas - baryton

Kontralt

Sopran

Spoken

Głos dziecięcy

Silent

Alto

Continuo

Pierre Boulez describes Debussy’s symphonic poem Prelude to the Afternoon of a Faun as one of the earliest examples of musical modernism. Musical devices such as whole-tone (six-note) scales, pentatonic (five-note) scales, and abundant chromaticism create a dreamlike state typically associated with Debussy’s impressionism. Dmitri Levkovich performs Bartók’s Concerto for Piano and Orchestra no. 1. In this work Bartok often deploys the piano in a manner that is percussive rather than melodic: his programming notes state that the percussion instruments should be placed directly beside the piano. The concert concludes with Shostakovich’s Symphony No. 7, composed at the height of World War Two, as the German army laid siege to Leningrad. Shostakovich himself suggested that the symphony does not explicitly depict German aggressors, but rather the evil of totalitarianism; this did not stop others from describing the symphony as “a symbol of cooperation and spiritual unity.”

English

Poems And Portraits by Debussy, Bartók, Shostakovich, od (2025/2025), Dyrygent Kristian Alexander, Meridian Arts Centre, Toronto, Kanada

Udział w spektaklu (Obsada & realizacja )

Ensemble

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca