Name: Poems And Portraits
Start: 2025-05-10T00:00:00.000Z
End: 2025-05-10T00:00:00.000Z
Location: Meridian Arts Centre

Admin

Kindred Spirits Orchestra

Conductor

Kristian Alexander

Orchestra

Pianist

Dmitri Levkovich

Piano

Poems And Portraits

Toronto

Canada

Meridian Arts Centre

George Weston

Poems And Portraits: Prélude à l'après-midi d'un faune, L 86 Debussy (+2 More)

Public

Concert

Prelude to the Afternoon of a Faun

Piano Concerto No. 1, BB 91

Symphony No. 7 in C major, Op. 60

Saileshwaran Thirumurthy

Approved

Bass

Instrumentalist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Baritone

Singer

Contralto

Soprano

Mezzo-soprano

Countertenor

Tenor

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Pierre Boulez describes Debussy’s symphonic poem Prelude to the Afternoon of a Faun as one of the earliest examples of musical modernism. Musical devices such as whole-tone (six-note) scales, pentatonic (five-note) scales, and abundant chromaticism create a dreamlike state typically associated with Debussy’s impressionism. Dmitri Levkovich performs Bartók’s Concerto for Piano and Orchestra no. 1. In this work Bartok often deploys the piano in a manner that is percussive rather than melodic: his programming notes state that the percussion instruments should be placed directly beside the piano. The concert concludes with Shostakovich’s Symphony No. 7, composed at the height of World War Two, as the German army laid siege to Leningrad. Shostakovich himself suggested that the symphony does not explicitly depict German aggressors, but rather the evil of totalitarianism; this did not stop others from describing the symphony as “a symbol of cooperation and spiritual unity.”

English

Poems And Portraits by Debussy, Bartók, Shostakovich, De (2025/2025), Director musical Kristian Alexander, Meridian Arts Centre, Toronto, Canada

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