Name: Piramo e Tisbe
Start: 2018-03-22T00:00:00.000Z
End: 2018-03-25T00:00:00.000Z
Location: Baruch Performing Arts Center

Organization

Dyrygent

Elliot Figg

Reżyseria

Philip Shneidman

Scenografia

Neil Patel

Cate McCrea

Kostiumy

Lara de Bruijn

Reżyseria światła

Grant W S Yeager

Wideo

Alex Basco Koch

Associate Music Director

Catherine Miller

Koordynator kaskaderów

Brad Lemons

Śpiewak

Sopran

Kristin Gornstein

Piramo

Sarah Nelson Craft

Kelly Curtin

Tisbe

Summer Hassan

Tenor

Brian Downen

Padre

Glenn Seven Allen

Little Opera Theatre of New York

Piramo e Tisbe -  (Piram i Tysbe)

Nowy Jork

Stany Zjednoczone

Baruch Performing Arts Center

Piramo e Tisbe Hasse

Public

Piram i Tysbe

Approved

PIRAMO E TISBE
Opera by J.A. Hasse 
March 22-25, 2018 
Baruch Performing Arts Center 

Featuring Kristin Gornstein, Kelly Curtin, Brian Downen, Giovanni Da Silva, Hunter Hoffman
---
With New Vintage Baroque
Toma Iliev - concertmaster
Annie Gard, Seula Lee, Simone Slattery, Chiara Fasani Stauffer - Violins
Danika Paskvan - Viola
Anthony Albrecht - Cello
David Ross - Flute
Lindsay McIntosh, Sian Rickets - Oboes
Georgeanne Baker, Ben Matus - Bassoons
---
Conductor - Elliot Figg
Director - Philip Shneidman
Set Designers - Neil Patel & Cate McCrea
Costume Designer - Lara De Bruijn
Lighting Designer - Grant W.S. Yeager
Projection Designer - Alex Basco Koch
Associate Music Director - Catherine Miller
Production Stage Manager - Giles T. Horne
Production Manager - Robert Airhart
Fight Director - Brad Lemons
Assistant Stage Manager - Jessica Fleischman
Associate Projection Designer - John Erickson
Supertitles - Stephanie Beattie
Assistant Costume Design - Betsy Rugg-Hinds
Props - John Estep
Production Associate - Dalia Sevilla
Wardrobe - Johanna Ring

Piramo e Tisbe Highlights - March 24, 2018

Promised to each other since childhood, two young lovers of Babylon, Piramo
(Pyramus) and Tisbe (Thisbe), learn that their marriage has been forbidden by
Tisbe’s father who, having been insulted by public opinion generated by a
dispute between their families, orders his daughter to marry another man. The
lovers decide to flee. That night, Tisbe anxiously awaits her lover Piramo for
their meeting in nearby woods.
Conspicuously different from any other opera by Hasse, PIRAMO E TISBE uses
more accompagnato than semplice recitative and many through-composed
arias and duets. In correspondence with a Venetian friend, Hasse confessed:
“I place it among the best works I have written; … while composing I always felt
inspiration … and wish to close my already too-long theatrical career with this
opera.” (19 November 1768)

English

Udział w spektaklu (Obsada & realizacja )

Obsada

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