Name: Pigmalion
Start: 2017-06-15T00:00:00.000Z
End: 2017-06-20T00:00:00.000Z
Location: City Recital Hall

Admin

Organization

Soprano

Taryn Fiebi

La Statue

Lauren Zolezzi

L'Amour

Tenor

Samuel Boden

Pygmalion

Morgan Balfour

Céphise

Dirigent

Erin Helyard

Regisseur

Crystal Manich

Set designer

Alicia Clements

Kostuum ontwerper

Melanie Liertz

Licht ontwerper

Matthew Marshall

Bass-baritone

Richard Anderson

Anacréon

Agathocle

Opera Australia

Pinchgut Opera

Frans

Pigmalion

Sydney

Australië

City Recital Hall

Public

Engels

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Componist

Librettist

Choreograaf

Danser

Acteur

Koor meester

Video ontwerper

Dramaturg

Vertaler

Geluidsontwerper

Répétiteur

Visagist

Uitvoerend producent

Haar stylist

Other

Stage Manager

Koor

Orkest

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Countertenor

Singer

Baritone

Mezzo-soprano

contralto

Spoken

Child vocalist

Silent

Alto

Continuo

Pigmalion Rameau

Pinchgut Opera was set up by accident. One day in early 2000, Alison Johnston, Anna Cerneaz, Erin Helyard, Anna McDonald and Liz and Ken Nielsen were talking, over coffee, about music. This was not unusual. We often did that. Someone wondered if there was a different way of doing opera. A way of putting the music first and having the other elements -- sets, costumes, production -- support the music but not get in its way. By the second cup of coffee we had agreed to set up an opera company.

City Recital Hall Angel Place had recently opened and we thought it would be perfect -- a fairly small space, where the audience would feel close to the musicians, and with a lovely acoustic for voice. Antony Walker, the already very well-known conductor, came on board, so we reckoned we had all of the artistic and business skills needed to produce and sell an opera.

We had no strategic plan, just a rough budget for the first production. No government grants, just confidence that we would find enough people who wanted to help us.
It was not intended that we would concentrate on Baroque opera. We wanted to give audiences the chance to hear Australia's young singers and musicians, many of whom live overseas but are happy to return here to perform. We started with Handel's Semele in 2002 -- because we had some musicians who were very experienced in playing on period instruments in Baroque style.

That was followed by Purcell's The Fairy Queen (2003), Monteverdi's L'Orfeo (2004), Rameau's Dardanus (2005), Mozart's Idomeneo (2006), Vivaldi's Juditha Triumphans (2007), Charpentier's David et Jonathas (2008), Cavalli's L'Ormindo (2009), Haydn's L'anima del filosofo (2010) and Vivaldi's Griselda (2011). All our productions have been broadcast by ABC Classic FM and all but one recorded for CD -- originally by ABC Classics but recently by our own label Pinchgut LIVE.

More operas were composed before 1750 than after. Except perhaps for a few from Handel, very few are performed these days. We think there is a huge treasure trove of marvellous works that Australian audiences have not seen. Cavalli, Vivaldi, Monteverdi, Rameau and Charpentier are almost unheard of, as opera composers, in this country. Other companies do the more familiar operas excellently; we want to help audiences discover something new. Perhaps in the future we will take the Pinchgut approach to works from the 20th or 21st century.

Our aims have not changed much since the beginning. We've been joined along the way by Andrew Johnston, John Pitman and Genevieve Lang. We know that artistically we are working in a very fertile area and achieving very worthwhile things. We continue to be extremely grateful to our audience who buy tickets, to all those who very generously donate both time and money, and to our sponsors who have helped us out enormously.

If you believe in what we are doing and are able to help, please get in touch. We call our supporters 'Heroes of Pinchgut' because without them we could not have got this far.

Pigmalion by Rameau, Anacréon by Rameau, Van (2017/2017), Geregisseerd door Crystal Manich,, Dirigent Erin Helyard, City Recital Hall, Sydney, Australië

Voorstellingscredits (Cast & Productieteam )

Cast

Productieteam

Co-producent

Programma, Over & Synopsis

Recensies

Video's

Foto's

Verder lezen

Uitvoeringsdata en -locaties

Speellocaties