Name: Piano Recital Joaquin Achucarro
Start: 2024-07-29T00:00:00.000Z
End: 2024-07-29T00:00:00.000Z
Location: Eglise de Verbier

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Verbier Festival

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Joaquín Achúcarro

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Piano Recital Joaquin Achucarro

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Svizzera

Eglise de Verbier

Piano Recital Joaquin Achucarro: Variations on a Theme by Robert Schumann, Op.9 Brahms (+5 More)

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Variations on a Theme by Robert Schumann, Op.9

Valses oubliées, S.215

Sogno d'amore n. 3 in la maggiore, S. 541

Valses nobles et sentimentales, M.61

10 Preludes, op.23

3 Pieces, op. 2

Akshay C K

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Tour à tour turbulentes et tendrement nostalgiques, lesVariations sur un thème de Robert Schumann de Brahms furent écrites en 1854, juste après l’internement de Schumann. La Valse oubliée N°1 de 1887 de Lizst, avec ses figures rythmiques rapides, est d’une nostalgie plus acérée. Par contraste, sa troisième valse lente et sentimentale Liebestraum, de 1850, fait flotter une mélodie simple au milieux de figurations somptueuses. Les huit Valses nobles et sentimentales de Ravel choquèrent lors de leur première audition en 1911 par leurs syncopes, dissonances et chromatismes déconcertants. Le chromatisme est aussi l’une des caractéristiques des préludes de Rachmaninoff des années 1910, des pièces de caractère où la mélodie s’élève au milieu d’une texture complexe d’accords et de contre-mélodies. Les contre-mélodies sont le défi de l’Étude N°1 de Scriabine, qui l’écrivit à l’âge de 15 ans, et les octaves, celui de son Étude N° 12 « Patetico », un chef-d’œuvre de virtuosité.

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By turns tenderly nostalgic and turbulent, Brahms’s Variations on a Theme by Robert Schumann were written in 1854, just after the latter had been committed to an asylum. Liszt’s Forgotten Waltz’No. 1 of 1887 has a sharper-edged nostalgia with its rapid rhythmic figures – a contrast to the sentimentality of his slow-waltzing third Liebestraum of 1850, which floats a simple melody amid lavish figuration, building to an immense climax. Ravel’s eight Valses nobles et sentimentales shocked their first 1911 audience with their discombobulating syncopations, dissonance and chromaticisms. Chromaticism is also a feature of Rachmaninoff’s preludes of the 1910s – character pieces voicing their melodies amid complex surrounding chordal and counter-melodic textures. Countermelodies are equally the challenge of his friend Scriabin’s Étude No. 1, written aged 15, whereas ‘Patetico’ Étude No. 12, a virtuoso showpiece, is all about octaves.

English

Piano Recital Joaquin Achucarro by Brahms, Liszt, Ravel, Rachmaninoff, Scriabin, Da (2024/2024), Eglise de Verbier, Bagnes, Svizzera

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