Name: Petite balade aux enfers
Start: 2022-03-03T00:00:00.000Z
End: 2022-03-04T00:00:00.000Z
Location: Grand Théâtre

Organization

Singer

Countertenor

Marie Lenormand

Orfeo

Soprano

Judith Fa

Euridice

Violette Clapeyron

Amor

Stage director

Valérie Lesort

Lighting designer

Pascal Laajili

Set designer

Pianist

Marine Thoreau La Salle

Adaption

Creation of the puppets

Conductor

Opéra de Dijon

Others

Chœur de l'Opéra de Dijon

Petite balade aux enfers

Dijon

France

Grand Théâtre

Petite balade aux enfers: Orfeo ed Euridice Gluck

Public

Orpheus and Eurydice

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Tenor

Mezzo-soprano

Bass-baritone

Contralto

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

Extraits du spectacle Petite balade aux enfers

Advice to those who would take classical mythology for a text engraved in stone: come and take a walk in the disheveled universe of Valérie Lesort, open to all rascals from 7 to 77 years old. You who enter here, let all hope not to burst out laughing during this foray into the other world!

Orpheus has been traveling for a long time, from Greco-Latin antiquity to Offenbach via Monteverdi (not to mention, of course, Jean Cocteau). One might have thought he had arrived at the end of the road. We would have been wrong: neither he nor his Eurydice let themselves be buried so quickly! Valérie Lesort, a director of mad inventiveness, breathes new life into it with the help of a beautiful band of singers and manipulators, who get along like thieves in fairground to create hybrid and oddly sympathetic beings. These puppets whose tiny body supports a human head, you have to see them to be believed, and to see them is to immediately adopt them, especially since they sing wonderfully well! The legend is known, but just in case, and out of respect for the younger ones, Zeus himself does us the honor of an appearance to play the prologues and recall the essential information. Musically, you don't sulk your pleasure. Because to adapt Gluck's opera (created in 1762), Lesort called on the talent of Marine Thoreau La Salle. His reduction for piano follows step by step the tribulations of the valiant poet, determined to rescue his beloved from the realm of the dead, with only his slung lyre and the charm of his melodies as weapons. Will he manage, this time, not to look back on his wife? Less than an hour to go. Suspense… The spectators in any case have a hard time taking their eyes off our heroes. But how not to be seduced by these hilarious hells, with monsters as multicolored, agitated and harmless as the creatures of the Muppet Show? Because to adapt Gluck's opera (created in 1762), Lesort called on the talent of Marine Thoreau La Salle. His reduction for piano follows step by step the tribulations of the valiant poet, determined to rescue his beloved from the realm of the dead, with only his slung lyre and the charm of his melodies as weapons. Will he manage, this time, not to look back on his wife? Less than an hour to go. Suspense… The spectators in any case have a hard time taking their eyes off our heroes. But how not to be seduced by these hilarious hells, with monsters as multicolored, agitated and harmless as the creatures of the Muppet Show? Because to adapt Gluck's opera (created in 1762), Lesort called on the talent of Marine Thoreau La Salle. His reduction for piano follows step by step the tribulations of the valiant poet, determined to rescue his beloved from the realm of the dead, with only his slung lyre and the charm of his melodies as weapons. Will he manage, this time, not to look back on his wife? Less than an hour to go. Suspense… The spectators in any case have a hard time taking their eyes off our heroes. But how not to be seduced by these hilarious hells, with monsters as multicolored, agitated and harmless as the creatures of the Muppet Show? determined to rescue his beloved from the realm of the dead, with the only weapons of his slung lyre and the charm of his melodies. Will he manage, this time, not to look back on his wife? Less than an hour to go. Suspense… The spectators in any case have a hard time taking their eyes off our heroes. But how not to be seduced by these hilarious hells, with monsters as multicolored, agitated and harmless as the creatures of the Muppet Show? determined to rescue his beloved from the realm of the dead, with the only weapons of his slung lyre and the charm of his melodies. Will he manage, this time, not to look back on his wife? Less than an hour to go. Suspense… The spectators in any case have a hard time taking their eyes off our heroes. But how not to be seduced by these hilarious hells, with monsters as multicolored, agitated and harmless as the creatures of the Muppet Show?

English

Petite balade aux enfers by Gluck, From (2022/2022), Directed by Valérie Lesort,, Conductor Marine Thoreau La Salle, Grand Théâtre, Dijon, France

Performance credits (Cast & Crew )

Cast

Crew

Ensemble

Programme, About & Synopsis

Videos

Photos

Further reading

Performance Dates & Venues

Venues