Organization

Conductor

Marco Angius

Lighting designer

Guy Simard

Baritone

Phillip Addis

Pelleas

Bass-baritone

Michael Bachtadze

Golaud

Bass

Vincent Le Texier

Arkel

Mezzo-soprano

Enkelejda Shkoza

Genevieve

Child vocalist

Silvia Frigato

Yniold

Andrea Pellegrini

Shepherd

Soprano

Karen Vourc'h

Melisande

Roberto Lorenzi

Doctor

Chorus master

Massimo Fiocchi Malaspina

Stage director

Barbe & Doucet

Set designer

Costume designer

Fondazione Teatri di Piacenza

Teatro Comunale di Modena

Others

Coro del Teatro Regio di Parma

Orchestra

Orchestra dell'Emilia Romagna Arturo Toscanini (OERAT)

Teatro Regio di Parma

Maestro collaboratore

Linda Piana

Pelléas et Mélisande -  (Pelléas and Mélisande)

Piacenza

Italy

Modena

Pelléas et Mélisande Debussy

Private

Public

Pelléas and Mélisande

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Dancer

Actor

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Contralto

Tenor

Countertenor

Spoken

Silent

Alto

Continuo

The only musical drama completed by Claude Debussy, performed in 1902, Pelléas and Mélisandemarked the opening of the new century and inaugurated, with a profound change in style and language, the opera house of the twentieth century. In order to arrive at such a new and revolutionary model of work, the author had to work on it for ten years, starting from his first encounter with the prose drama of Maurice Maeterlinck, standard-bearer of literary symbolism. Rarely represented, the opera is seen in Modena as a production born at the Teatro Regio di Parma and aired for Rai Cultura on Rai 5. Direction, sets and costumes are signed by the Franco-Canadian creative team Barbe & Doucet who conceive an installation circular, inspired by late nineteenth-century Spiritism, in which the characters are immersed in limbo, between natural, wooded and aquatic scenic elements, marbles that evoke monumental cemeteries, self-propelled islands, panels and backdrops in continuous movement. A reality straddling different worlds, from which it does not seem possible to escape, where each element has a symbolic meaning. The musical part of the show is entrusted to Marco Angius, international reference director for the contemporary musical repertoire.

English

Unico dramma musicale portato a compimento da Claude Debussy, rappresentato nel 1902, Pelléas e Mélisande ha segnato l’apertura del nuovo secolo e inaugurava, con un profondo mutamento di stile e di linguaggio, il teatro lirico del Novecento. Per poter pervenire a un modello d’opera così nuovo e rivoluzionario, l’autore dovette lavorarvi per ben dieci anni, a partire dal suo primo incontro col dramma in prosa di Maurice Maeterlinck, alfiere del simbolismo letterario. Raramente rappresentata, l’opera si vede a Modena una produzione nata al Teatro Regio di Parma e andata in onda per Rai Cultura su Rai 5. Regia, scene e i costumi sono firmate dal del team creativo franco-canadese Barbe & Doucet che concepiscono un allestimento circolare, che si ispira allo Spiritismo tardo ottocentesco, in cui i personaggi sono immersi in un limbo, tra elementi scenici naturali, boschivi e acquatici, marmi che evocano cimiteri monumentali, isole semoventi, pannelli e fondali in continuo movimento. Una realtà a cavallo tra diversi mondi, da cui non sembra esser possibile sfuggire, dove ciascun elemento ha un significato simbolico. La parte musicale dello spettacolo è affidata a Marco Angius, direttore di riferimento internazionale per il repertorio musicale contemporaneo.

italiano

Pelléas and Mélisande by Debussy, Nuo (2023/2023), Režisierius Barbe & Doucet,, Dirigentas Marco Angius

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