Organization

Dirigat

Marco Angius

Lichtgestaltung

Guy Simard

Sänger

Bariton

Phillip Addis

Pelleas

Bass-Bariton

Michael Bachtadze

Golaud

Bass

Vincent Le Texier

Arkel

Mezzosopran

Enkelejda Shkoza

Genevive

Kinderstimme

Silvia Frigato

Yniold

Andrea Pellegrini

Die Stimme des Hirten

Sopran

Karen Vourc'h

Melisande

Roberto Lorenzi

Ein Arzt

Chordirektion

Massimo Fiocchi Malaspina

Regie

Barbe & Doucet

Bühnenbild

Kostümbild

Fondazione Teatri di Piacenza

Teatro Comunale di Modena

Others

Coro del Teatro Regio di Parma

Orchestra

Orchestra dell'Emilia Romagna Arturo Toscanini (OERAT)

Teatro Regio di Parma

Maestro collaboratore

Linda Piana

Pelléas et Mélisande -  (Pelléas und Mélisande)

Piacenza

Italien

Modena

Pelléas et Mélisande Debussy

Private

Public

Pelléas und Mélisande

Genehmigt

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Andere

Chor

Choreographie

Chorus Director

Dramaturgie

Extra

GesangslehrerIn

Haar

Illustrator

Komposition

Korrepetition

Lehrer

Leitender Produzent

Libretto

Maske

Orchester

Orchestra Operations

Photographer

Poet

Rundfunk

Schauspiel

Stage Manager

Tongestaltung

Tänzer

Videogestaltung

Wig & Makeup Designer

Writer

Writing and performance

Übersetzung

Countertenor

Tenor

Alto

Continuo

Sprechrolle

Stumme Rolle

The only musical drama completed by Claude Debussy, performed in 1902, Pelléas and Mélisandemarked the opening of the new century and inaugurated, with a profound change in style and language, the opera house of the twentieth century. In order to arrive at such a new and revolutionary model of work, the author had to work on it for ten years, starting from his first encounter with the prose drama of Maurice Maeterlinck, standard-bearer of literary symbolism. Rarely represented, the opera is seen in Modena as a production born at the Teatro Regio di Parma and aired for Rai Cultura on Rai 5. Direction, sets and costumes are signed by the Franco-Canadian creative team Barbe & Doucet who conceive an installation circular, inspired by late nineteenth-century Spiritism, in which the characters are immersed in limbo, between natural, wooded and aquatic scenic elements, marbles that evoke monumental cemeteries, self-propelled islands, panels and backdrops in continuous movement. A reality straddling different worlds, from which it does not seem possible to escape, where each element has a symbolic meaning. The musical part of the show is entrusted to Marco Angius, international reference director for the contemporary musical repertoire.

English

Unico dramma musicale portato a compimento da Claude Debussy, rappresentato nel 1902, Pelléas e Mélisande ha segnato l’apertura del nuovo secolo e inaugurava, con un profondo mutamento di stile e di linguaggio, il teatro lirico del Novecento. Per poter pervenire a un modello d’opera così nuovo e rivoluzionario, l’autore dovette lavorarvi per ben dieci anni, a partire dal suo primo incontro col dramma in prosa di Maurice Maeterlinck, alfiere del simbolismo letterario. Raramente rappresentata, l’opera si vede a Modena una produzione nata al Teatro Regio di Parma e andata in onda per Rai Cultura su Rai 5. Regia, scene e i costumi sono firmate dal del team creativo franco-canadese Barbe & Doucet che concepiscono un allestimento circolare, che si ispira allo Spiritismo tardo ottocentesco, in cui i personaggi sono immersi in un limbo, tra elementi scenici naturali, boschivi e acquatici, marmi che evocano cimiteri monumentali, isole semoventi, pannelli e fondali in continuo movimento. Una realtà a cavallo tra diversi mondi, da cui non sembra esser possibile sfuggire, dove ciascun elemento ha un significato simbolico. La parte musicale dello spettacolo è affidata a Marco Angius, direttore di riferimento internazionale per il repertorio musicale contemporaneo.

italiano

Pelléas und Mélisande by Debussy, Ab (2023/2023), Unter der Regie von Barbe & Doucet,, Dirigat Marco Angius

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Ensemble

Co-Produzent

Programm, Info & Synopsis

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte