Name: Passionskonzert Passion
Start: 2024-03-29T00:00:00.000Z
End: 2024-03-29T00:00:00.000Z
Location: Kölner Philharmonie

Organization

Soprano

Jeanine De Bique

Contralto

Ulrike Malotta

Mezzo-soprano

Tenor

Sebastian Kohlhepp

Evangelist

Fabio Trümpy

Singer

Krešimir Stražanac

Bass Baritone

Bass

Thomas Stimmel

Jesus

Conductor

Peter Dijkstra

Others

Chor des Bayerischen Rundfunks

Orchestra

Gürzenich - Orchester Köln

Kölner Philharmonie

Passionskonzert Passion

Cologne

Germany

Passionskonzert Passion: Matthäus Passion, BWV 244 Bach, J. S.

Public

St. Matthew Passion

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Countertenor

Bass-baritone

Baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Am besten geht man begleitet durchs Jahr. Manch einer orientiert sich kalendarisch oder an den Jahreszeiten, für andere sind Brauchtums-Termine, religiöse Feste oder Schulferien strukturgebend. Aber auch die Musik von Johann Sebastian Bach allein wäre bereits ausreichend, um den Jahreslauf als zutiefst sinnstiftend zu erfahren: Weihnachtsoratorium im Advent, Kantaten zu Ostern, Pfingsten und an so ziemlich allen anderen Festtagen. Aber Karfreitag?

Der Tod Jesu Christi am Kreuz – gut zweieinhalb Stunden auskomponierter Schmerz, Klang gewordene Vereinsamung, Verrat, Verzweiflung, Gewalt und Angst. Warum eigentlich tut man sich all das immer wieder an? So könnte man fragen. Vielleicht, weil Bachs Matthäus-Passion wie kein anderes Werk der Musikgeschichte sowohl die dunklen Abgründe wie auch die seelischen Höhen unserer menschlichen Existenz reflektiert. Eine Musik, die unbegreiflich kunstvoll den ganzen Kosmos unserer Daseins zu durchschreiten scheint – gleichermaßen göttlich wie zutiefst irdisch, menschlich. Und das Himmlische begegnet uns auch in diesem Jahr zuallererst im größten Elend.

Deutsch

It's best to go through the year accompanied. Some people are guided by the calendar or the seasons, for others customs dates, religious festivals or school holidays provide structure. But the music of Johann Sebastian Bach alone would be enough to experience the course of the year as deeply meaningful: Christmas oratorio in Advent, cantatas at Easter, Pentecost and on pretty much all other holidays. But Good Friday?

The death of Jesus Christ on the cross - a good two and a half hours of composed pain, loneliness that has become sound, betrayal, despair, violence and fear. Why do you keep doing all this to yourself? One could ask. Perhaps because Bach's St. Matthew Passion  reflects both the dark depths and the spiritual heights of our human existence like no other work in music history. A music that seems to traverse the entire cosmos of our existence in an incomprehensibly artistic way - at once divine and deeply earthly, human. And this year too, we first encounter the heavenly in the greatest misery.

English

Passionskonzert Passion by Bach, J. S., De la (2024/2024), Dirijor Peter Dijkstra, Kölner Philharmonie, Cologne, Germany

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