Name: Passion according to Saint Matthew
Start: 2024-03-22T00:00:00.000Z
End: 2024-03-22T00:00:00.000Z
Location: Théâtre des Champs-Elysées

Organization

Dirigat

Fransesco Corti

Tenor

Maximilian Schmitt

Evangelist

Bass

Yannick Debus

Jesus

Sopran

Kateryna Kasper

Emiliano Gonzalez Toro

Andreas Wolf

Sänger

Philippe Jaroussky

countertenor

Théâtre des Champs-Elysées

Orchestra

Freiburger Barockorchester

Others

Zurich Sing Academy

Instrument

Harpsichord

Passion according to Saint Matthew

Paris

Frankreich

Passion according to Saint Matthew: Matthäus Passion, BWV 244 Bach,JS

Public

Private

Matthäus-Passion

Genehmigt

Instrumentalist

Klavier

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Trombonist

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Komposition

Regie

Libretto

Bühnenbild

Kostümbild

Choreographie

Lichtgestaltung

Tänzer

Schauspiel

Chordirektion

Videogestaltung

Dramaturgie

Übersetzung

Tongestaltung

Korrepetition

Maske

Leitender Produzent

Haar

Andere

Stage Manager

Chor

Orchester

Poet

GesangslehrerIn

Lehrer

Photographer

Rundfunk

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Singer

Countertenor

Bariton

Mezzosopran

Bass-Bariton

Gesprochen

Kinderstimme

Leise

Alto

Continuo

C’est au début du XVIIIe siècle que se généralisa en Allemagne l’habitude de donner chaque Vendredi Saint une grande œuvre chorale fondée sur la Passion du Christ. Au cours des quelques années qui séparent la Passion selon Saint Jean (1723-24) de celle selon Saint Matthieu (1727), Bach n’a cessé d’enrichir son expérience musicale et d’apporter ainsi à sa seconde grande passion nombre d’innovations. Il porte au maximum l’ampleur sonore de l’ouvrage (introduction d’un troisième chœur) et renforce la variété du récitatif. Ce chef-d’œuvre de Bach clôt d’une certaine façon la très longue liste des Passions dont s’honore l’histoire de la musique. Celles qui viendront après ne seront plus, à de rares exceptions près, des Passions au sens liturgiques où Bach l’entendait et ouvriront la voie à la forme oratorio.

Production Théâtre des Champs-Elysées

français

It was at the beginning of the 18th century that the habit became widespread in Germany of giving each Good Friday a great choral work based on the Passion of Christ. During the few years which separate the Passion according to Saint John (1723-24) from that according to Saint Matthew(1727), Bach never stopped enriching his musical experience and thus bringing a number of innovations to his second great passion. It maximizes the sonic breadth of the work (introduction of a third choir) and reinforces the variety of the recitative. This masterpiece by Bach closes in a certain way the very long list of Passions with which the history of music is honored. Those which will come after will no longer be, with rare exceptions, Passions in the liturgical sense in which Bach understood it and will open the way to the oratorio form.

English

Passion according to Saint Matthew by Bach, J. S., Ab (2024/2024), Dirigat Fransesco Corti, Théâtre des Champs-Elysées, Paris, Frankreich

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Instrumentierung

Ensemble

Programm, Info & Synopsis

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte