Name: Passion according to Saint Matthew
Start: 2024-03-22T00:00:00.000Z
End: 2024-03-22T00:00:00.000Z
Location: Théâtre des Champs-Elysées

Organization

Conductor

Fransesco Corti

Singer

Tenor

Maximilian Schmitt

Evangelist

Bass

Yannick Debus

Jesus

Soprano

Kateryna Kasper

Emiliano Gonzalez Toro

Andreas Wolf

Philippe Jaroussky

countertenor

Théâtre des Champs-Elysées

Orchestra

Freiburger Barockorchester

Others

Zurich Sing Academy

Instrumentalist

Harpsichord

Passion according to Saint Matthew

Paris

France

Passion according to Saint Matthew: Matthäus Passion, BWV 244 Bach,JS

Public

Private

St. Matthew Passion

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Baritone

Bass-baritone

Countertenor

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

C’est au début du XVIIIe siècle que se généralisa en Allemagne l’habitude de donner chaque Vendredi Saint une grande œuvre chorale fondée sur la Passion du Christ. Au cours des quelques années qui séparent la Passion selon Saint Jean (1723-24) de celle selon Saint Matthieu (1727), Bach n’a cessé d’enrichir son expérience musicale et d’apporter ainsi à sa seconde grande passion nombre d’innovations. Il porte au maximum l’ampleur sonore de l’ouvrage (introduction d’un troisième chœur) et renforce la variété du récitatif. Ce chef-d’œuvre de Bach clôt d’une certaine façon la très longue liste des Passions dont s’honore l’histoire de la musique. Celles qui viendront après ne seront plus, à de rares exceptions près, des Passions au sens liturgiques où Bach l’entendait et ouvriront la voie à la forme oratorio.

Production Théâtre des Champs-Elysées

français

It was at the beginning of the 18th century that the habit became widespread in Germany of giving each Good Friday a great choral work based on the Passion of Christ. During the few years which separate the Passion according to Saint John (1723-24) from that according to Saint Matthew(1727), Bach never stopped enriching his musical experience and thus bringing a number of innovations to his second great passion. It maximizes the sonic breadth of the work (introduction of a third choir) and reinforces the variety of the recitative. This masterpiece by Bach closes in a certain way the very long list of Passions with which the history of music is honored. Those which will come after will no longer be, with rare exceptions, Passions in the liturgical sense in which Bach understood it and will open the way to the oratorio form.

English

Passion according to Saint Matthew by Bach, J. S., Od (2024/2024), Dirigent Fransesco Corti, Théâtre des Champs-Elysées, Paris, France

Výkonnostní kredity (Obsazení a tým )

Obsazení

Instrumentace

Soubor

Program, Informace a Synopsis

Fotografie

Další čtení

Termíny a místa představení

Divadla/scény