Name: Paradise
Start: 2016-10-09T00:00:00.000Z
End: 2016-10-11T00:00:00.000Z
Location: MUMUTH

Organization

Steirischer Herbst

musikprotokoll

Scenografia

Judith Selenko

Video

Monica Duncan

Cantante

Narrazione

Mario Lopatta

Cyborg

Soprano

Svetlana Speil

Puppet

Jerilyn Chou

Choir

Maria Prvulj

Helena Sorokina

Rodrigo Algara Woodhouse

Roman Ruckhofer

Sreten Manojlovic

Luci

Ralf Beyer

Suono

Ulrich Gladisch

Schristian Scheucher

Peter Venus

Orchestra

PPCM-Studierende des Klangforums Wien

Universität für Musik und darstellende Kunst Graz

inglese

Paradise

Graz

Austria

MUMUTH

Public

Private

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coreografia

Coro

Costumi

Direzione d'orchestra

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Maestro ripassatore

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Regia

Stage Manager

Traduzione

Trucco

Wig & Makeup Designer

Writer

Writing and performance

Baritono

Mezzosoprano

Controtenore

Basso-baritono

Tenore

Contralto

Basso

Alto

Mimi

Voce bianca

PARADISE (2015–16) (https://martinhiendl.com/paradise/)Opera installation for 8 voices, ensemble, electronics and video (120 min.)written for the musikprotok...

In this opera installation, inspired by the 1995 science fiction anime classic "Ghost in the Shell" by Mamoru Oshii, two protagonists search for their "natural" voices. One of them – She – might have been a cyborg once, a creature of technology, a human machine, a machine-like human, an asexual being, and yet driven by a desire to know more about her origins, doubting her identity. Having turned into a mass product, her voice no longer signifies uniqueness. The other one – He/She/It – is a new entity: A Golem, Frankenstein or Puppet Master, a living thing striving for individuality. A relationship develops between the two that tells of the nature and boundaries of identity, of hybrid bodies, split egos and the need for recognition. We are in PARADISE, in the Garden of Eden, which we don’t recognise, which never existed. It is but a human invention – it means no more than a word to a cyborg.
This garden is a place designed for people to walk around. PARADISE is an opera consisting not of chronological sequences, but of spatialised scenes, of walk-in spaces. The music and bodies are trapped in these spaces, leaving it to the audience when to enter a scene and when to leave it.
Awards
Johann-Joseph-Fux Opera Composition Competition Graz
Radio
▶︎ ORF Zeitton
__________
Graz, AU
October 9/10/11, 2016 | Musikprotokoll @ MuMuth

English

Paradise by Hiendl, Da (2016/2016), MUMUTH, Graz, Austria

Crediti di rappresentazione (Cast e team di produzione )

Cast

Team creativo

Ensemble

Co-produttore

Programma, informazioni e sinossi

Video

Foto

Ulteriori letture

Date e sedi delle rappresentazioni

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