Name: Otello
Start: 2021-09-15T00:00:00.000Z
End: 2021-09-16T00:00:00.000Z
Location: Stanislavsky and Nemirovich-Danchenko Music Theater

Organization

Cantante

Tenor

Nikolay Erokhin

Otello

Najmiddin Mavlyanov

Soprano

Hibla Gerzmava

Desdémona

Elena Guseva

Natalia Petrozhitskaya

Barítono

Anton Zaraev

Iago

Alexey Shishlyaev

Mezzosoprano

Larisa Andreeva

Emilia

Natalia Vladimirskaya

Vladimir Dmitruk

Cassio

Kirill Matveev

Kirill Zolochevsky

Roderigo

Bajo

Felix Kudryavtsev

Lodovico

Roman Ulybin

Maxim Osokin

Montano

Director(a) de escena

Andrei Konchalovsky

Director(a) orquestal

Felix Korobov

Timur Zangiev

Diseñador(a) de iluminación

Aivar Salikhov

Diseñador(a) de vestuario/Figurinista

Dmitry Andreev

Escenógrafo(a)

Matt Deely

Coreógrafo(a)

Ramunė Chodorkaitė

Director(a) coral

Stanislav Lykov

Stanislavsky and Nemirovich-Danchenko Academic Music Theatre

italiano

Moscú

Rusia

Stanislavsky and Nemirovich-Danchenko Music Theater

Main stage

Otello Verdi

Public

Válido

Опера Джузеппе ВердиМузыкальный руководитель и дирижер: Феликс КоробовРежиссер-постановщик: Андрей КончаловскийСценография: Мэтт ДилиКостюмы: Дмитрий Андреев...

The role of the director in the genre of opera requires humility. My task is, first of all, not to deprive the listener of music, for the sake of which this art exists. Especially when you stage an opera by a brilliant composer.

The primary role on the stage belongs to the interpreters of music - the conductor and the singers. It is they who determine the movement of the musical element, which makes listeners (and not spectators) experience a unique delight. The main thing in opera directing for me is to try to evoke in the viewer a sense of aesthetic harmony between what is seen and what is heard. For me, the works of Giorgio Strehler and Patrice Chereau have always remained unattainable examples. Therefore, I cannot allow myself the psychological analysis that Shakespeare's tragedy requires when staged on a dramatic stage.

The difficulty is that the visual range in the opera does not have to correspond to Verdi's visual vision. A certain shock is possible here, but only of a kind that would not destroy the great composer's musical reading of great dramaturgy.

English

Créditos de presentación (Elenco & Equipo )

Elenco

Equipo