Organization

Singer

Baritone

Peter Bording

Jupiter

Tenor

Max Hopp

John Styx

Stage director

Barrie Kosky

Conductor

Adrien Perruchon

Lighting designer

Franck Evin

Costume designer

Victoria Behr

Set designer

Rufus Didwiszus

Choreographer

Otto Pichler

Dramaturge

Susanna Goldberg

Chorus master

Jean-Christophe Charron

Tansel Akzeybek

Orpheus

Peter Renz

Mercury

Mezzo-soprano

Nadine Weissmann

Cupid

Bass

Tim Dietrich

Mars

Soprano

Karolina Gumos

Juno

Bryony Dwyer

Eurydice

Susan Maclean

Public Opinion

Ivan Turšić

Aristaeus / Pluto

Mirka Wagner

Venus

Alma Sadé

Diana

Salzburger Festspiele

Deutsche Oper am Rhein

Komische Oper Berlin

Orchestra

Orchester der Komischen Oper Berlin

Mathias Vidal

vokiečių

prancūzų

Orphée aux enfers -  (Orpheus in the Underworld)

Berlin

Germany

Orphée aux enfers Offenbach

Public

Orpheus in the Underworld

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Chorus Director

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Bass-baritone

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Schamlos, witzig und frivol! In Barrie Koskys bei den Salzburger Festspielen 2019 frenetisch gefeierter Inszenierung – der ersten Offenbach-Operette der fast...

Orphée aux enfers Offenbach - Komische Oper Berlin

Shameless, funny and frivolous! In Barrie Kosky's production, which was frenetically celebrated at the 2019 Salzburg Festival - the first Offenbach operetta in the almost 100-year history of the festival - a plump mythical travesty meets a top-class ensemble that loves to play. Led by the inimitable Max Hopp as John Styx, who lends every figure on stage his speaking voice, Sydney Mancasola as Eurydice, Wolfgang Ablinger-Sperrhacke as Pluto and Peter Bording as Jupiter descend into a brightly colored, boyish, infernal underworld

Offenbach's initial situation is "slightly" different from the myth: Eurydice, the central figure, hates the music personified by her husband. And Orpheus himself is nothing more than a small, insipid music teacher from Thebes; Aristaeus, the divine seducer, is an acting honey dealer, and Jupiter, the "father of the gods", a horny goat, is constantly on the prowl. Shrouded in mystery, John Styx tells the story of entangled Orpheus and his annoyed Eurydice, of goddesses and gods in search of diversion, bored with everyday life in Olympus. Burning with curiosity about the beautiful kidnapped woman and the competition between Jupiter and Pluto for the favor of Eurydice, the illustrious company embarks on a ride into hell into the underworld, which culminates in what is probably the most famous can-can in music history. And Eurydice? - after all, it throws everybody in the dark ...

English

Orpheus in the Underworld by Offenbach, Nuo (2023/2023), Režisierius Barrie Kosky,, Dirigentas Adrien Perruchon

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