Name: Orlando furioso
Start: 2024-09-10T00:00:00.000Z
End: 2024-09-11T00:00:00.000Z
Location: Markgräfliches Opernhaus

Organization

Admin

Teatro Comunale di Ferrara

Teatro Comunale di Modena

Conductor

Fransesco Corti

Stage director

Marco Bellussi

Set designer

Matteo Paoletti Franzato

Costume designer

Elisa Cobello

Lighting designer

Marco Cazzola

Video designer

Fabio Massimo Iaquone

Others

Il Pomo d'Oro

Coro dell’Accademia del Santo Spirito

Mezzo-soprano

Yuriy Mynenko

Orlando

Soprano

Giuseppina Bridelli

Alcina

Arianna Vendittelli

Angelica

Sonja Runje

Bradamante

Countertenor

Tim Mead

Ruggiero

Bass

José Coca Loza

Astolfo

Bayreuth Baroque Opera Festival

Instrumentalist

Harpsichord

Chiara Brunello

Medoro

italiensk

Orlando furioso -  (Orlando Furioso)

Bayreuth

Germany

Markgräfliches Opernhaus

Private

Public

Orlando Furioso

Sharan Allad

engelsk

tysk

Approved

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Trombonist

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Dancer

Actor

Chorus master

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Singer

Baritone

Bass-baritone

Tenor

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

The Paladin Orlando is madly in love with Princess Angelica. Angelica herself loves the soldier Medoro, from whom she is separated when fleeing from Orlando; she lands on the island of the sorceress Alcina. The bewitching and equally love-crazed Alcina in turn loves Astolfo first of all, then Orlando and Ruggiero, and finally Bradamante. However, Bradamante turns out to be Ruggiero’s betrothed; she has disguised herself as a man in order to free her lover from Alcina’s clutches.

Based on Ariosto’s epochal epic poem Orlando furioso, the “Red Priest” Antonio Vivaldi created a nest of confusion that is at times despairing and tragic, at times poignant yet comical, all about the highs and lows of love, about magic, and the ordeals of human interrelationships. Vivaldi set the dramatically cleverly construed libretto by Grazio Bracciolo twice to music, both times for the Teatro Sant’Angelo in Venice. However, it was in the second version of 1727 that Vivaldi could first draw on the musical energy and dramatic stringency that make his Orlando furioso into one of the most astonishing works in the history of Italian opera. Congregating around Yuriy Minenko in the title role, a top-class ensemble presents a fast and furious opera performance directed by the Baroque specialist Marco Bellussi.

English

Der Paladin Orlando ist rasend in Prinzessin Angelica verliebt. Angelica selbst liebt den Soldaten Medoro, von dem sie auf der Flucht vor Orlando getrennt wird und auf der Insel der Zauberin Alcina landet. Die betörende wie gleichsam liebestolle Alcina ihrerseits liebt zunächst Astolfo, danach Orlando und Ruggiero und schließlich Bradamante. Bei Bradamante handelt es sich allerdings um die Verlobte Ruggieros, die sich als Mann verkleidet hat, um ihren Geliebten aus den Fängen Alcinas zu befreien.

Auf Grundlage von Ariosts epochalem Versepos Orlando furioso – Der rasende Roland – schuf der „rote Priester“ Antonio Vivaldi ein bald verzweifelt-tragisch, bald anrührend-komisches Verwirrspiel um die Höhen und Tiefen der Liebe und den Zauber und die Qualen zwischenmenschlicher Beziehungen. Das dramaturgisch geschickt konstruierte Libretto von Grazio Bracciolo hat Vivaldi zweimal vertont. Beide Male für das Teatro Sant’Angelo in Venedig. Doch erst in der Zweitfassung von 1727 fand Vivaldi zu der musikalischen Kraft und dramatischen Stringenz, die seinen Orlando furioso zu den atemberaubendsten Werken der italienischen Oper macht. Rund um Yuriy Mynenko in der Titelpartie versammelt sich ein hochkarätiges Ensemble und präsentiert uns einen rasend-rasanten Opernabend in der Regie des Barockspezialisten Marco Bellussi.

Deutsch

Orlando Furioso by Vivaldi, Fra (2024/2024), Instrueret af Marco Bellussi,, Dirigent Fransesco Corti, Markgräfliches Opernhaus, Bayreuth, Germany

Forestilling krediteringer (Medvirkende & Produktionshold )

Medvirkende

Instrumentering

Produktionshold

Ensemble

Co-producer

Program, Information & Oversigt

Yderligere læsning

Forestillingsdatoer og spillesteder

Spillesteder