Name: Orfeo ed Euridice
Start: 2012-06-13T00:00:00.000Z
End: 2012-06-17T00:00:00.000Z
Location: Grand Théâtre Massenet

Organization

Singer

Countertenor

Varduhi Abrahamyan

Orfeo

Blandine Folio Peres

Soprano

Ingrid Perruche

Euridice

Maïlys de Villoutreys

Amor

Conductor

Giuseppe Grazioli

Stage director

Frédéric Flamand

Set designer

Hans Op de Beeck

Lighting designer

Bertrand Blayo

Choreographer

Opéra de Saint-Étienne

Orchestra

Orchestre Symphonique Saint-Étienne Loire

itaalia

Orfeo ed Euridice -  (Orpheus and Eurydice)

Saint-Etienne

France

Grand Théâtre Massenet

Orfeo ed Euridice

Public

Orpheus and Eurydice

prantsuse

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Bass

Baritone

Contralto

Tenor

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Originally written for an alto castrato, Gluck revised the role of Orpheus for Paris, had it translated from Italian to French and intended it for a tenor, until Pauline Viardot asked Berlioz to write it. an arrangement for his contralto voice ultimately more in line with the original. The dazzling performance of the singer, on November 18, 1859, ensured an undeniable triumph for this exemplary version.

The story is well known: Orpheus mourns his deceased Eurydice when Cupid, sent by Jupiter, offers to fetch her from the Underworld on condition that he appeases the Furies with his song, does not look at his beloved or walk away from it. justify to her. This eternal theme has also inspired around twenty operas, Gluck's Orpheus being located halfway (in time) between the sublime Orfeo by Monteverdi and the hilarious Orpheus in the Underworld by Offenbach.

This mythical dimension inspires the work of Frédéric Flamand who for the first time agreed to stage an opera, supported in his resolutely innovative approach by the scenographer Hans Op de Beeck, an internationally recognized figure in the plastic arts. A first meeting between the Ballet de Marseille and the artists of the Opéra Théâtre that will mark a milestone!

English

Écrit à l’origine pour un castrat alto, Gluck révisa le rôle d’Orphée pour Paris, le fit traduire de l’italien au français et le destina à un ténor, jusqu’à ce que Pauline Viardot demande à Berlioz d’en écrire un arrangement pour sa voix de contralto finalement plus conforme à l’original. L’éblouissante prestation de la cantatrice, le 18 novembre 1859, assura un triomphe jamais démenti à cette version exemplaire.

L’histoire en est bien connue : Orphée pleure sa défunte Eurydice quand Amour, envoyé par Jupiter lui propose de l’aller chercher aux Enfers sous condition d’apaiser les Furies par son chant, de ne pas regarder son aimée ni de s’en justifier auprès d’elle. Ce thème éternel a d’ailleurs inspiré une vingtaine d’opéras, l’Orphée de Gluck se situant à mi-chemin (temporel) entre le sublime Orfeo de Monteverdi et l’hilarant Orphée aux Enfers d’Offenbach.

Cette dimension mythique inspire le travail de Frédéric Flamand qui pour la première fois a accepté de mettre en scène un opéra, soutenu dans sa démarche résolument novatrice par le scénographe Hans Op de Beeck, figure internationalement reconnue des arts plastiques. Une première rencontre entre le Ballet de Marseille et les artistes de l’Opéra Théâtre qui fera date !

français

Orpheus and Eurydice by Gluck, Alates (2012/2012), Juhatatud Frédéric Flamand,, Dirigent Giuseppe Grazioli, Grand Théâtre Massenet, Saint-Etienne, France

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