Name: Operaorkestrets Kammerserie: Messiaen
Start: 2024-05-04T00:00:00.000Z
End: 2024-05-04T00:00:00.000Z
Location: Den Norske Opera

Organization

Instrumentalist

Andjei Maevski

Clarinet

Victoria Putterman

Violin

Jan Koop

Cello

Yoko Toda

Piano

Den Norske Opera & Ballet

Orchestra

Den Norsk Opera Orchestra

Violinist

Benedikt Wiedmann

Cellist

Johannes Sykora

Viola

Operaorkestrets Kammerserie: Messiaen

Oslo

Norway

Den Norske Opera

Scene 2

Public

Quartet for the End of Time

Duo for violin and cello

String trio

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Singer

Mezzo-soprano

Tenor

Soprano

Baritone

Bass

Countertenor

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Operaorkestrets Kammerserie: Messiaen: Concert Various

Kvartett til tidens ende
Operaorkestrets musikere tar med Olivier Messiaens sterke vitnesbyrd fra innsiden av nazistenes fangeleir til Scene 2.

KJØP
Lyden av 2. verdenskrig  
I juni 1940 ble den franske komponisten Olivier Messiaen tatt til fange av tyskerne og sendt til fangeleir i det okkuperte Silesia, Görlitz. Ved ankomst ble han ransaket, men der de lette etter våpen, fant de noteark i stedet.  

Messiaen oppdaget tre profesjonelle musikere blant sine medfanger – en cellist, en fiolinist og en klarinettist – og fikk i tillegg kjempet seg til penn og papir fra en fangevokter. Slik begynte arbeidet med den svært spesielle Kvartett til tidens ende.  

Urframført i leiren  
Kvartetten ble nesten øyeblikkelig blant 2. verdenskrigs mest kjente verk. Det er basert på Johannes’ åpenbaring – Bibelens fortelling om endetiden. Messiaen så bokstavelig talt til himmelen i musikken, som er preget av hans karakteristiske innslag av fuglekvitter. Fuglene var ifølge komponisten en motsetning til tidens forvitring: På vei mot stjernene og regnbuene, og med sin oppløftende sang, var de et symbol på livskraft og framtidshåp.  

Kvartett til tidens ende ble urframført på delvis ødelagte instrumenter i januar 1941, i en iskald hall i fangeleiren. I salen var hundrevis av fanger og vakter til stede. «Aldri har jeg blitt lyttet til med slik begeistret oppmerksomhet og forståelse», sa komponisten om opplevelsen. 

På Scene 2 møter du Andjei Maevski på klarinett, Victoria Putterman på fiolin, Jan Koop på cello og Yoko Toda på klaver.

norsk

Quartet until the end of time
The opera orchestra's musicians bring Olivier Messiaen's powerful testimony from inside the Nazi prison camp to Scene 2.

BUY
The sound of World War II  
In June 1940, the French composer Olivier Messiaen was captured by the Germans and sent to a prison camp in occupied Silesia, Görlitz. On arrival he was searched, but when they searched for weapons, they found sheets of music instead.  

Messiaen discovered three professional musicians among his fellow prisoners – a cellist, a violinist and a clarinetist – and also had to wrestle pen and paper from a prison guard. This is how work began on the very special Quartet until the end of time . 

Originally performed in the camp  
The quartet almost instantly became one of the most famous works of World War II. It is based on John's Revelation - the Bible's account of the end times. The Messiah literally looked to the sky in the music, which is characterized by his characteristic touch of chirping birds. According to the composer, the birds were an antithesis to the weathering of time: On their way to the stars and rainbows, and with their uplifting song, they were a symbol of vitality and hope for the future. 

Quartet till the end of time was first performed on partially broken instruments in January 1941, in an icy hall in the prison camp. Hundreds of prisoners and guards were present in the hall. "Never have I been listened to with such enthusiastic attention and understanding," the composer said of the experience. 

On Scene 2 you will meet Andjei Maevski on clarinet, Victoria Putterman on violin, Jan Koop on cello and Yoko Toda on piano.

English

Operaorkestrets Kammerserie: Messiaen by Messiaen, Klein, G., -tól (2024/2024), Den Norske Opera, Oslo, Norway

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