Name: Moses und Aron
Start: 2006-06-03T00:00:00.000Z
End: 2006-06-19T00:00:00.000Z
Location: Wiener Staatsoper

Organization

Cantante

Papel de hablante

Franz Grundheber

Moses

Tenor

Thomas Moser

Aron

Director(a) orquestal

Daniele Gatti

Escenógrafo(a)

Wolfgang Gussmann

Diseñador(a) de vestuario/Figurinista

Wiener Staatsoper

Soprano

Asa Elmgren

1. Solostimme

Mezzosoprano

Michaela Selinger

2. Solostimme

Contralto

Daniela Denschlag

3. Solostimme

John Dickie

4. Solostimme

Barítono

Marcus Pelz

5. Solostimme

Bajo

Johannes Wiedecke

6. Solostimme

Director(a) coral

Jozef Chabron

Janina Baechle

Jens Musger

Three elders

Johannes Gisser

Jeong-Ho Kim

Oleg Savran

Michael Wilder

Konrad Huber

Cosmin Ifrim

The Twelve Chiefs

Marian Talaba

Herwig Pecoraro

Michael Roider

Benedikt Kobel

Karl-Michael Ebner

Clemens Unterreiner

Hans Peter Kammerer

Alfred Sramek

Wolfgang Bankl

Walter Fink

Janusz Monarcha

Director(a) de escena

Reto Nickler

Susana Mendoza

Diseñador(a) de iluminación

Andreas Grüter

Diseñador(a) de video

Fett Film

Momme Hinrichs

Torge Møller

Norbert Balatsch

Janko Kastelic

Ildikó Raimondi

Una muchacha

Kranke

Peter Jelosits

Un hombre joven

Johann Reinprecht

Nackter Jüngling

Morten Frank Larsen

Mann

Georg Tichy

Ephraimit

Alexandru Moisiuc

Priester

Ileana Tonca

Primera virgen desnuda

Segunda virgen

Cornelia Salje

Tercera virgen

Margareta Hintermeier

4. Nackte Jungfrau

Teatro Real de Madrid

Orchestra

Orchester der Wiener Staatsoper

Others

Slovak Philharmonic Choir

alemán

Moses und Aron -  (Moisés y Aarón)

Viena

Austria

"After more then 30 years of absence, the Vienna State Opera dedicates a new staging to Schoenberg’s unfinished opera Moses und Aron with Franz Grundheber as Moses and Thomas Moser as Aron – a breathtaking and multimedia opera highlight accompanied by the chorus and orchestra of the Vienna State Opera conducted by Daniel Gatti.

Possibly Schoenberg’s finest work, and certainly one that he held close to his heart, is his unfinished opera Moses und Aron. Even more than his play Der biblische Weg, Moses und Aron represents Schoenberg’s finest attempt at meshing his philosophical ideas with his artistry. It is a work that can be approached on many different levels: as an example of his twelve-tone system, as a work of biblical commentary, or as an attempt to work out the problems facing the Jew in the modern world."

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