Name: Maria Stuarda
Start: 2023-03-12T00:00:00.000Z
End: 2023-04-02T00:00:00.000Z
Location: Landestheater

Organization

Conductor

Arturo Alvarado

Vorarlberger Landestheater

Stage director

Teresa Rotemberg

Set designer

Sabina Moncys

Costume designer

Lighting designer

Arndt Rössler

Dramaturge

Ralph Blase

Singer

Soprano

Eva Bodorová

Mary Stuart

Sofia Soloviy

Elizabeth

Tenor

Hyunduk Kim

Robert, Earl of Leicester

Bass

Andrii Ganchuk

George Talbot

Mezzo-soprano

Lucija Varsic

Anna Kennedy

Gabriel Alexander Wernick

Lord William Cecil

Others

Bregenzer Festspielchor

Orchestra

Symphonieorchester Vorarlberg

Maria Stuarda -  (Mary Stuart)

Bregenz

Austria

Landestheater

Grosses Haus

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Contralto

Baritone

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

“There is perhaps no woman who has been drawn in such a different way, now as a murderess, now as a martyr, now as a foolish schemer, now as a heavenly saint.” Stefan Zweig

Using the means of bel canto, Donizetti created a highly emotional music that brings the antagonism of Maria Stuart and Queen Elizabeth to the stage: the conflict between two women who are looking for the right balance between politics and humanity for their actions. Written in 1834 as a commissioned work under extreme time pressure, MARIA STUARDA is one of Donizetti's most popular operas today. The work was initially anything but lucky: in Naples it was censored by the authorities while the rehearsals were still ongoing, and then even the censored version was personally banned by King Ferdinand II. Performed in an altered form and under a new name, but canceled after just one season and never shown again in this version. For the Milan Scala again
Lyrically softened and musically revised, only to be canceled after only six performances: the sick and hoarse Maria Malibran simply sang along with the censored text passages of her title role at the premiere out of protest. MARIA STUARDA continued to be played here and there for a few years, but eventually fell into oblivion.

It was not until 1958 in Bergamo that the opera, which takes up Schiller's template in a greatly simplified form and focuses on the last days of the dethroned Queen of Scotland, was rediscovered. And in 1965, in Stuttgart, the German-language version also received frenetic applause.

Jealousy and revenge, intrigues, abused trust and a bitter struggle for power, a martyrical heroine: MARIA STUARDA is not only of outstanding musical quality, but also stands out from Donizetti's otherwise rather cheerful work thanks to her tragedy.

English

Mary Stuart by Donizetti, Od (2023/2023), Režie Teresa Rotemberg,, Dirigent Arturo Alvarado, Landestheater, Bregenz, Austria

Výkonnostní kredity (Obsazení a tým )

Obsazení

Osádka

Soubor

Program, Informace a Synopsis

Další čtení

Termíny a místa představení

Divadla/scény