Name: Madama Butterfly
Start: 2023-10-13T00:00:00.000Z
End: 2024-02-10T00:00:00.000Z
Location: Primorsky Stage of the Mariinsky Theatre

Organization

Admin

Primorsky Stage of the Mariinsky Theatre

Conductor

Dusan Vilic

Stage director

Mariusz Treliński

Set designer

Boris Kudlička

Costume designer

Paweł Grabarczyk

Magdalena Tesławska

Lighting designer

Stanisław Zięba

Alexander Naumov

Choreographer

Emil Wesołowski

Singer

Soprano

Alena Diyanova

Cio-Cio-San

Tenor

Roman Krukovich

B.F. Pinkerton

Mezzo-soprano

Irina Kolodyazhnaya

Suzuki

Baritone

César Méndez Silvagnoli

Sharpless

Ilya Astafurov

Goro

Orchestra

Orchester des Mariinski-Theaters

Valery Gergiev

Anastasiya Kikot

Mingiyan Odzhaev

Laura Bustamante

Marat Mukhametzyanov

Nikita Odalin

Vsevolod Marilov

italiensk

Madama Butterfly -  (Madame Butterfly)

Vladivostok

Russia

Great Hall

Madama Butterfly Puccini

Public

Madame Butterfly

Sagar Haldar

russisk

engelsk

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Bass

Contralto

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

The great verist composer Giacomo Puccini’s opera Madama Butterfly owes its plot to the semi-autobiographical novel by the French naval officer and voyager Pierre Loti. Obvious fables with their abundance of descriptions of imaginary and actual real life in exotic lands had a suitable effect on the transformation of Loti’s texts into an opera libretto (apropos, this was also the case with Léo Delibes’ Lakmé). Loti’s Madame Chrysanthème underwent several stages of transformation: having originated with the memoirs of Japan of the sister of the American author John Luther Long, it became David Belasco’s play Madame Butterfly and, under this title, was performed in Italian theatres before subsequently transferring to the opera house. the love story of an American officer and a Japanese girl was to prove tragic for both, frivolity and trust playing out a cruel joke set against a background of two clashing cultures. But for Puccini, too, the focus lies on the strength and power of emotions, the plot acting as a premise for their existence, while the Japanese entourage produces a certain oriental flavour in the music. the Mariinsky Theatre performs a production by Polish stage director Mariusz Treliński, brought from Warsaw’s Opera Narodowa. Here the sets underlie the principle of unity of the natural and the artificial, so revered in Japan even nowadays. the costumes were produced by including references to clothing of the Meiji era, while the stage lighting encompasses strong and pure colours without semi-shade or transitions, and this creates the sensation of a mystery, a mystery which travellers in the past and readers of their novels tried to fathom.

English

Опера «Мадам Баттерфлай» великого вериста Джакомо Пуччини обязана своим сюжетом полуавтобиографическому роману французского морского офицера и путешественника Пьера Лоти. Ясные фабулы с обилием описаний вымышленной и реальной жизни экзотических стран благоприятствовали превращению текстов Лоти в оперные либретто (так появилась в том числе и «Лакме» Делиба). «Мадам Хризантема» Лоти прошла несколько стадий переработки: встретившись с воспоминаниями о Японии сестры американского писателя Джона Лютера Лонга, она стала драмой Дэвида Беласко «Мадам Баттерфлай» и под таким именем очутилась на драматической сцене, а затем на оперных подмостках. История любви американского офицера и японской девушки оказывается трагичной для обоих, легкомыслие и доверчивость играют злую шутку на фоне столкновения двух культур. Но у Пуччини фокус наведён на силу и мощь чувств, сюжет является предлогом для их проявления, а японский антураж влияет на несколько ориентальную окраску музыки. В Мариинском театре идёт постановка польского режиссёра Мариуша Трелиньского, перенесённая из Варшавской оперы. Декорации в ней подчёркивают принцип соединения природного и рукотворного, почитаемый в Японии и сейчас. Костюмы сделаны с оглядкой на одеяния эпохи Мэйдзи, а сценический свет — яркие, чистые тона без полутеней и переходов, создающие ощущение тайны, той, к которой пытались прикоснуться и путешественники прошлого, и читатели их романов.
Денис Великжанин

русский

Madame Butterfly by Puccini, Fra (2023/2024), Instrueret af Mariusz Treliński,, Dirigent Dusan Vilic, Valery Gergiev, Primorsky Stage of the Mariinsky Theatre, Vladivostok, Russia

Forestilling krediteringer (Medvirkende & Produktionshold )

Medvirkende

Produktionshold

Ensemble

Program, Information & Oversigt

Fotos

Yderligere læsning

Forestillingsdatoer og spillesteder

Spillesteder