Name: Madama Butterfly
Start: 2023-05-26T00:00:00.000Z
End: 2023-05-31T00:00:00.000Z
Location: Moniuszko Auditorium

Organization

Дирижер

Patrick Fournillier

Режиссер-постановщик

Mariusz Treliński

Художник-постановщик

Boris Kudlička

Художник по костюмам

Paweł Grabarczyk

Magdalena Tesławska

Хореограф

Emil Wesołowski

Художник по свету

Stanisław Zięba

Певец

Меццо-сопрано

Hanna Hipp

Сузуки

Тенор

Rafał Bartmiński

Пинкертон

Mateusz Zajdel

Горо

Piotr Maciejowski

Принц Ямадори

Бас

Sławomir Kowalewski

Комиссар

Баритон

Mariusz Godlewski

Шарпелес

Aleksandra Orlowska

Кэт Пинкертон

Сопрано

Barno Ismatullaeva

Чио-Чио-Сан

Teatr Wielki - Opera Narodowa

Orchestra

Orchestra of the Polish National Opera

Others

Chorus of the Polish National Opera

итальянский

Madama Butterfly -  (Мадам Баттерфляй)

Варшава

Польша

Moniuszko Auditorium

Public

Мадам Баттерфляй

польский

Одобрено

Madama Butterfly Puccini

MADAME BUTTERFLYGiacomo Puccini, reżyseria: Mariusz TrelińskiTragedia japońska w trzech aktachLibretto: Giuseppe Giacosa i Luigi IllicaPrapremiera: Regio Tea...

Mariusz Treliński - Madame Butterfly - Teatr Wielki - Opera Narodowa

‘It’s easy to stage a revolution when you know nothing,’ says Mariusz Treliński, now the respected winner of an ‘operatic Oscar’, recalling his proper opera debut and acknowledging the impact he had on the transformation of contemporary opera language. He transitioned from film equipped with cinematic narration and raised his hand on opera, which he considered ‘pretentious, bourgeois, irritating, and pandering to poor tastes’. Although Treliński claims that he was ignorant about opera as a young director, that was not really the case: his first film, Farewell to Autumn, based on Witkiewicz’s novel and matching the original’s quality, dazzled with the operatic scale of staging, set design, and the dandy way it flirted with the artificiality of its constraints on which music theatre thrives. Any accusations of Treliński’s musical ignorance are also hugely exaggerated, considering that he illustrated homoerotic antics of the film’s protagonists with Nemorino’s aria from Donizetti’s L’elisir d’amore. That’s enough to suspect that Ciociosan meant for him more than the supermarket brand of Bulgarian vermouth. Setting out to stage the Puccini classic together with set designer Boris Kudlička, Treliński strived for minimalism and stripping Madame Butterflyof its Japanese-style kitsch. Thus, paradoxically, lying at the origins of the greatest Polish opera career of this century was the desire to bring the means of operatic expression to a bare minimum. It is a great, canonic production. The first choice for opera beginners and a favourite with advanced opera lovers.

English

Участие в выступлениях (Исполнители и постановщики )

Исполнители

Постановочная труппа

Ансамбль