Name: Madama Butterfly
Start: 2021-12-17T00:00:00.000Z
End: 2022-02-17T00:00:00.000Z
Location: Opernhaus Kiel

Organization

Tenore

Mergen Sandanov

B. F. Pinkerton

Mezzosoprano

Tatia Jibladze

Suzuki

Maria Gulik

Baritono

Stefano Meo

Sharpless

Fred Hoffmann

Goro

Basso

Matteo Maria Ferretti

Lo zio Bonzo

Hojoon Lee

Il Principe Yamadori

Elizabeth Tredent

Kate Pinkerton

Slaw Rotmann

Lo zio Yakusidé

Andrzej Bernagiewicz

Il commissario imperiale

Junggeun Choi

L'ufficiale del registro

Regia

Joachim Rathke

Direzione d'orchestra

Daniel Carlberg

Direzione del coro

Gerald Krammer

Lam Tran Dinh

Equipmen

Claudia Spielmann

Soprano

Agnieszka Hauzer

Cio-Cio-San

Elisabeth Raßbach-Külz

La zia

Cornelia Möhler

La cugina

Anka Perfanova

La madre di Cio-Cio-San

Sergi Roca Bru

Costumi

Theater Kiel

Others

Opernchor des Theaters Kiel

italiano

Madama Butterfly

Kiel

Germania

Opernhaus Kiel

MADAME BUTTERFLY

Public

Private

tedesco

Approvato

Instrumentalist

Pianoforte

Violinista

Cellist

Violista

Suonatore di flauto

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composizione

Libretto

Scenografia

Coreografia

Luci

Ballerino/a

Recitazione

Video

Drammaturgia

Traduzione

Sound designer

Maestro accompagnatore

Trucco

Produzione esecutiva

Parrucco

Altro

Stage Manager

Coro

Orchestra

Poeta

Docente di canto

Insegnante

Fotografia

Emittente radiotelevisiva

Illustrator

Scrittura

Scrittura ed esecuzione

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Contralto

Controtenore

Basso-baritono

Verbale

Voce bianca

Silenzioso

Alto

Continuo

Madama Butterfly Puccini

Puccinis »Madame Butterfly« war bei der Uraufführung an der Mailänder Scala 1904 zwar der größte Misserfolg seines Lebens, wurde nach mehreren Überarbeitungen durch ihre farbig schillernde, hochemotionale und mit Exotismen spielende Klangwelt jedoch eine der bis heute meistgespielten Opern des Repertoires und zählt zu den Paradebeispielen der gesamten Gattung. Der europäische Blick auf zwei fremde Kulturen, »Japan« und die »USA«, steht im Zentrum dieses Stücks über Kultur- und Geschlechterkonflikte, das sich 2021 ganz neuen Fragen stellen muss. Diese Neubefragung unternimmt der Kieler Regisseur Joachim Rathke zusammen mit der intensiv mit Japan vertrauten Ausstatterin Claudia Spielmann in einer Lesart, die auch als Hommage an das Genre »Oper« gedeutet werden kann.

theaterKIEL*| Einführungen »Madame Butterfly« Claudia Spielmann über Bühne und Kostüm

Nagasaki, around 1900: The geisha Cio-Cio-San, known as Madame Butterfly, is sold by the Japanese marriage agent Goro to the American naval officer Benjamin Franklin Pinkerton for 100 yen. While Pinkerton sees his connection to Cio-Cio-San as "temporary marriage" and vacation enjoyment, Cio-Cio-San considers himself to be his legally wedded wife. Even when he left her in Japan, she believed in vain for three years in his return to her. One day, however, Pinkerton and his American wife Kate appear in Nagasaki to take their child with them to the United States. Cio-Cio-San's illusion of a future together with Pinkerton has been shattered. She only knows one way out of her misfortune ...

Puccini's “Madame Butterfly” was the biggest failure of his life when it was premiered at La Scala in Milan in 1904, but after several revisions it became one of the most frequently performed operas in the repertoire and is one of the prime examples thanks to its colorful, highly emotional and exotic soundscape the entire genus. The European view of two foreign cultures, »Japan« and the »USA«, is at the center of this piece about cultural and gender conflicts, which in 2021 will have to ask completely new questions. The Kiel director Joachim Rathke undertakes this new survey together with the designer Claudia Spielmann, who is very familiar with Japan, in a reading that can also be interpreted as an homage to the genre »opera«.

English

Madama Butterfly by Puccini, Da (2021/2022), Diretto da Joachim Rathke,, Direttore d'orchestra Daniel Carlberg, Sergi Roca Bru, Opernhaus Kiel, Kiel, Germania

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