Name: Madama Butterfly
Start: 2022-03-19T00:00:00.000Z
End: 2022-05-07T00:00:00.000Z
Location: Metropolitan Opera House

Organization

Sångare

Baritone

David Bizic

Sharpless

Mezzo-soprano

Elizabeth DeShong

Suzuki

Tenor

Brian Jagde

B.F. Pinkerton

Soprano

Eleonora Buratto

Cio-Cio-San

Koreograf

Carolyn Choa

Ljus designer

Peter Mumford

Kostym designer

Han Feng

Scenograf

Michael Levine

Regissör

Anthony Minghella

Dirigent

Alexander Soddy

Scott Scully

Goro

Bass

Raymond Aceto

Bonze

Yunuet Laguna

Kate Pinkerton

Edyta Kulczak

Jeongcheol Cha

Prins Yamadori

Christopher Job

Den kejserlige kommissarien

Bradley Garvin

Thomas Glass

Viktor Antipenko

Matthew Grills

Annie Rosen

Megan Esther Grey

Lithuanian National Opera and Ballet Theatre

English National Opera

The Metropolitan Opera

italienska

Madama Butterfly -  (Madame Butterfly)

New York

Metropolitan Opera House

Madama Butterfly Puccini

Public

Madame Butterfly

engelska

tyska

spanska

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Broadcasting

Chorus Director

Dansare

Dramaturg

Exekutiv producent

Extra

Hårstylist

Illustrator

Kompositör

Kör

Körledare

Librettist

Ljud designer

Orchestra Operations

Orkester

Other

Photographer

Poet

Repetitör

Skådespelare

Sminkartist

Stage Manager

Teacher

Tolk

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Bass-baritone

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Puccini’s heartbreaking tragedy returns in an evocative staging by late filmmaker Anthony Minghella, with soprano Eleonora Buratto making her role debut as C...

Soprano Eleonora Buratto takes on the touchstone title role of the tragic geisha, following earlier Met successes as Norina in Don Pasquale and Liù in Turandot. Tenor Brian Jagde is the callous American naval officer who betrays her, alongside mezzo-soprano Elizabeth DeShong as her devoted maid Suzuki and baritone David Bizic as the consul Sharpless. Alexander Soddy conducts Anthony Minghella’s evocative, ever-popular staging.

Teatro alla Scala, Milan, 1904. Met premiere: February 11, 1907. The title character of Madama Butterfly—a young Japanese geisha who clings to the belief that her arrangement with a visiting American naval officer is a loving and permanent marriage—is one of the defining roles in opera. The story triggers ideas about cultural and sexual imperialism for people far removed from the opera house, and film, Broadway, and popular culture in general have riffed endlessly on it. The lyric beauty of Puccini’s score, especially the music for the thoroughly believable lead role, has made Butterfly timeless.

Giacomo Puccini (1858–1924) was immensely popular in his own lifetime, and his mature works remain staples in the repertory of most of the world’s opera companies. His librettists for Madama Butterfly, Giuseppe Giacosa and Luigi Illica, had also collaborated with the composer on his previous two operas, Tosca and La Bohème. Giacosa, a dramatist, was responsible for the stories and Illica, a poet, worked primarily on the words themselves.
The opera takes place in the Japanese port city of Nagasaki at the turn of the last century, at a time of expanding American international presence. Japan was hesitantly defining its global role, and Nagasaki was one of the country’s few ports open to foreign ships. Temporary marriages for foreign sailors were not unusual.
Puccini achieved a new level of sophistication with his use of the orchestra in this score, with subtle colorings and sonorities throughout. But the opera rests squarely on the performer of the title role: On stage for most of the time, Cio-Cio-San is the only character that experiences true (and tragic) development. The singer must convey an astounding array of emotions and characteristics, from ethereal to fleshly to intelligent to dreamy-bordering-on-insane, to resigned in the final scene.

English

Madame Butterfly by Puccini, Från (2022/2022), Regisserad av Anthony Minghella, Carolyn Choa,, Dirigent Alexander Soddy, Metropolitan Opera House, New York, USA

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