Name: Livets Sidste Toner
Start: 2022-12-08T00:00:00.000Z
End: 2022-12-08T00:00:00.000Z
Location: Musikhuset Aarhus

Organization

Conductor

Marc Soustrot

Mezzo-soprano

Hanne Fischer

Singer

Johanna Nylund

soprano

Baritone

Teit Kanstrup

Soprano

baritone

mezzo-soprano

Aarhus Symfoniorkester

Others

Vokalensemblet GAIA

Concert Clemens

Livets Sidste Toner

Aarhus

Denmark

Musikhuset Aarhus

Symfonisk Sal

Livets Sidste Toner: Requiem (+1 More)

Public

Requiem, Op 9

Fauré Requiem

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Contralto

Countertenor

Bass-baritone

Tenor

Spoken

Child vocalist

Silent

Alto

Continuo

Two death masses in one concert – and two unparalleled examples of how the final, clarifying music of mortal life becomes a divine tribute to life itself.
Music for death – and for life. A requiem is a mass of death, but in its beauty the music becomes as much a tribute to life. It is here that man comes face to face with his god; either in death or in the loss of a loved one. It makes a requiem a great spiritual as well as musical experience.

With Duruflé and Fauré, we come through the whole spectrum of human experience, concentrated in the relentless prism of death.

These are two very human works; they are spiritual rather than religious, although they are based on Christian texts. Both of them offer a peaceful, settled acceptance of the finality of life - and a more beautiful reconciliation with death cannot be imagined.

English

To dødsmesser i én koncert – og to mageløse eksempler på, hvordan jordelivets endelige, afklarende musik bliver en guddommelig hyldest til livet selv.
Musik til døden – og til livet. Et rekviem er en dødsmesse, men i sin skønhed bliver musikken i lige så høj grad en hyldest til livet. Det er her, mennesket står ansigt til ansigt med sin gud; enten i døden eller i tabet af en elsket. Det gør et rekviem til en stor åndelig såvel som musikalsk oplevelse.

Hos Duruflé og Fauré kommer vi gennem hele spektret af den menneskelige erfaring, koncentreret i dødens ubarmhjertige prisme.

Det er to meget menneskelige værker; de er åndelige snarere end religiøse, selvom de bygger på kristne tekster. Begge tilbyder de en fredfyldt, afklaret accept af livets endeligt – og en smukkere forsoning med døden kan man ikke forestille sig.

dansk

Livets Sidste Toner by Duruflé, Fauré, Od (2022/2022), Dirigent Marc Soustrot, Musikhuset Aarhus, Aarhus, Denmark

Krediti za predstavo (Zasedba in producentska ekipa )

Igralska zasedba

Ansambel

Program, O in Sinopsis

Fotografije

Dodatno branje

Datumi in prizorišča nastopov

Lokacija