Organization

Dirigent

Jesús López-Cobos

Regisseur

Emilio Sagi

Set designer

Daniel Bianco

Kostuum ontwerper

Renata Schussheim

Licht ontwerper

Eduardo Bravo

Choreograaf

Nuria Castejón

Koor meester

Peter Burian

Zanger

Soprano

Barbara Frittoli

Gravin Almaviva

Baritone

Ludovic Tézier

Graaf Almaviva

Isabel Rey

Susanna

Bass

Luca Pisaroni

Figaro

Mezzo-soprano

Marina Comparato

Cherubino

Jeannette Fischer

Marcellina

Carlos Chausson

Doctor Bartolo

Tenor

Raúl Giménez

Don Basilio

Enrique Viana

Don Curzio

María Soledad Cardoso

Barbarina

ABAO Bilbao Opera

Teatro Real de Madrid

Others

Coro Intermezzo

Orchestra

Orquesta Sinfónica de Madrid

Italiaans

Le nozze di Figaro -  (Figaro's bruiloft)

Madrid

Spanje

It is not a question of divine inspiration, the truth is Wolfgang Amadeus Mozart put considerable effort into looking for a suitable subject before composing The Marriage of Figaro. Another misconception is that this work reflects the values of the French Revolution, when in fact its underlying theme is a celebration of the “Ehepatent”, the new decree on marriage issued by Joseph II, Holy Roman Emperor, in 1783. This decree contained three principles that fascinated Mozart: marriage should be for love; the authorisation of the parents was no longer required; and there should be witnesses to the marriage, leading to the hilarious scene in the opera where Figaro is measuring a room which is scarcely big enough for the bed, when a chorus of twenty people suddenly appears, all of them witnesses. Both Mozart and Da Ponte were aware of the importance of such an edict as part of the modernisation of society, but they also knew that the human impulses are difficult to tame, so that compliance with the new law would be problematic.

 

The impossibility of human beings reaching utopia often leads to melancholy. Melancholy is present in this opera because all the characters end up losing something: the Countess - love; the Count - power; Figaro - his agility; Cherubino - his innocence; and Barbarina - her virginity. These fine threads weave a complex story and finally depict a humanity worthy of Beethoven: forgiveness is achieved due to the inner  strength of women, as in the leading women of an Almodóvar film.

Le nozze di Figaro Mozart

Public

Private

Figaro's bruiloft

Spaans

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Broadcasting

Chorus Director

Componist

Danser

Dramaturg

Extra

Geluidsontwerper

Haar stylist

Illustrator

Koor

Librettist

Orchestra Operations

Orkest

Other

Photographer

Poet

Répétiteur

Stage Manager

Teacher

Uitvoerend producent

Vertaler

Video ontwerper

Visagist

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Contralto

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Figaro's bruiloft by Mozart, Van (2022/2022), Geregisseerd door Emilio Sagi,, Dirigent Jesús López-Cobos

Voorstellingscredits (Cast & Productieteam )

Cast

Productieteam

Ensemble

Co-producent

Programma, Over & Synopsis

Foto's

Verder lezen

Uitvoeringsdata en -locaties

Speellocaties