Organization

Admin

Sänger

Bariton

Michael Borth

Der Graf Almaviva

Bass

Juan Orozco

Figaro

Sopran

Katharina Ruckgaber

Susanna

Anja Jung

Marzelline

Mezzosopran

Inga Schäfer

Cherubino

Marie-Luise Dreßen

Jin Seok Lee

Doktor Bartolo

Tenor

Junbum Lee

Basilio

Janina Staub

Barbarina

Margarete Nüßlein

Erstes Bauernmädchen

Charis Peden

Zweites Bauernmädchen

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Ektoras Tartanis

Regie

Joan Anton Rechi

Bühnenbild

Sebastian Ellrich

Kostümbild

Sandra Münchow

Lichtgestaltung

Michael Philipp

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Graham Smith

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Norbert Kleinschmidt

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Tatjana Beyer

Annika Hertwig

Yunus Schahinger

Antonio

Irina Park

Die Gräfin Almaviva

Theater Freiburg

Hyun Han Hwang

Don Curzio

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Opernchor des Theater Freiburg

Orchestra

Philharmonisches Orchester Freiburg

Le nozze di Figaro -  (Die Hochzeit des Figaro)

Freiburg

Deutschland

Grosses Haus

Le nozze di Figaro Mozart

Public

Private

Die Hochzeit des Figaro

Genehmigt

Die Hochzeit des Figaro TRAILER

It should be the best day of your life. But it is not easy for the young couple Susanna and Figaro to say yes. As employees of the count's couple, they become the pawns of their broken marriage and suddenly find themselves in turbulent erotic entanglements that leave their mark on the young couple and subject the mutual trust to an initial serious test.

Mad, foolish, confused and blind, the characters in Mozart's THE MARRIAGE OF FIGARO stumble from one awkward situation to the next. You swap clothes and people, hide, outwit, lie and cheat. Only Susanna and the Countess form a female alliance that transcends all class boundaries and drives the men through the thicket of their self-made errors with prudence and improvisational skills. The basis for Mozart's opera, Beaumarchais' socially critical comedy DER TOLLE TAG about the abuse and arbitrariness of the ruling class, became a political scandal in 1785 shortly before the French Revolution. But Lorenzo Da Ponte softened the political sharpness and sharpened the human weaknesses in his opera libretto. Here there are people on the stage whose actions, even if they are questionable, remains understandable. And the unsurpassed music of Mozart blends with the action in a way that was unheard of and remains unmatched to this day.

The director is Andorran director Joan Anton Rechi, whose production of LOVE LIFE (2017) in Friborg became a real audience favorite and who seems to be unaware of anything human, all too human, in his lively productions.

English

Die Hochzeit des Figaro by Mozart, Ab (2020/2020), Unter der Regie von Joan Anton Rechi,, Dirigat Ektoras Tartanis, Theater Freiburg, Freiburg, Deutschland

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