Organization

Director(a) de escena

Rimas Tuminas

Diseñador(a) de iluminación

Damir Ismagilov

Diseñador(a) de vestuario/Figurinista

Maria Danilova

Escenógrafo(a)

Adomas Jacovskis

Coreógrafo(a)

Anželika Cholina

Director(a) coral

Valery Borisov

Cantante

Tenor

Ilya Selivanov

Zinovi Borisovich Izmailov

Soprano

Maria Lobanova

Katerina

Ivan Gyngazov

Serguei

Anna Bauman

Aksinya

Roman Muravitsky

Campesino

Ivan Maximeyko

Bajo

Daniel Akimov

Porter

Marat Gali

1. Workman

Timofey Dubovitsky

2. Workman

Alexander Borodin

Trabajador harapiento

Cochero

Vladimir Komovich

Steward

Invitado ebrio

Alexander Krasnov

Sargento de prisión

Andrei Grigoriev

Mikhail Kazakov

Viejo Convicto

Denis Makarov

Contralto

Svetlana Shilova

Soniechka

Evgenia Segenyuk

Maria Gavrilova

Mujer Prisionera

Un centinela

Sargento

Valery Gilmanov

Priest

Policemen

Dmitry Ulyanov

Boris Timofeyevich Izmailov

Valery Makarov

Director(a) orquestal

Artem Abashev

Vladislav Popov

Evgenia Muraveva

Dmitrij Golovnin

Alexander Markeev

Ilya Legatov

Nihilista

Andrey Valenty

Irina Rubtsova

Demian Onufrak

Igor Vyalykh

Roman Kollert

Bolshoi Theatre

ruso

Lady Macbeth of Mtsensk, Op. 29 -  (Lady Macbeth del distrito de Mtsensk)

Moscú

Rusia

Historic Stage

Katerina Izmaylova Shostakovich, D.

Public

Lady Macbeth del distrito de Mtsensk

inglés

Válido

About the performance
Lady Macbeth of the Mtsensk District is one of the most famous Russian operas of the 20th century. Not only did it vividly reflect the era but became its first victim. It was its demolition in the newspaper “Pravda” that started the campaign against formalism in Soviet art. The prohibited opera managed to return to the stage only after almost thirty years’ wait, in the new edition under the name Katerina Izmailova.

It was the edition that the Bolshoi Theatre referred to at the time when the hundred and tenth anniversary of the birth of the composer was celebrated. These days, when the first edition is the one that is performed around the world, Katerina Izmailova is a true operatic rarity. Tugan Sokhiev, the music director of the Bolshoi and of the production itself, is telling us what considerations the theatre was guided by to choose the second edition: “Knowing Shostakovich as the author of symphonies, quartets and ballets, I can say that late Shostakovich’s works seem closer and more interesting to me, and this particular edition of the opera allows me to have a deeper and further look into it. First of all, I am attracted to the continual development in Katerina Izmailova: from the beginning to the end our nerves are being wound on a reel”.

English

Créditos de presentación (Elenco & Equipo )

Elenco

Equipo