Organization

Direzione d'orchestra

Giampaolo Bisanti

Regia

Jaco van Dormael

Coreografia

Michèle Anne De Mey

Scenografia

Vincent Lemaire

Costumi

Fernando Ruiz

Luci

Nicolas Olivier

Video

Giacinto Caponio

Cantante

Soprano

Jessica Pratt

Amina

Tenore

René Barbera

Elvino

Basso

Marko Mimica

Il conte Rodolfo

Mezzosoprano

Julie Bailly

Teresa

Ugo Rabec

Alessio

Benoît Delvaux

Un notaro

Marina Monzó

Lisa

Opéra Royal de Wallonie - Liège

Others

Choeur de l'Opéra Royal de Wallonie-Liège

Orchestra

Royal Opera of Wallonia Orchestra

italiano

La sonnambula

Liegi

Belgio

La sonnambula Bellini

Public

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coro

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Maestro ripassatore

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Stage Manager

Suono

Traduzione

Trucco

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Basso-baritono

Baritono

Controtenore

Alto

Mimi

Narrazione

Voce bianca

“From time immemorial, no doubt, men and women had walked in their sleep and said strange things; these behaviors had to be explained by invoking supernatural causes, evil spirits, mysterious gifts, divine or diabolical possessions: once again, a matter of defective judgments. »
Pierre Enckell

In a Swiss village in the 19th century , a mysterious specter prowls every night. When we find the beautiful Amina sleeping in the bed of Count Rodolfo, passing through Lisa's inn, she is accused of adultery. She defends herself with force. But her promised, Elvino, furious, breaks off the engagement. Will the villagers find that the wandering ghost is none other than the beautiful and innocent sleepwalker?

A few ingredients skillfully put into verse by the brilliant Felice Romani based on an argument by Eugène Scribe are enough to give Bellini's belcanto sublime wings. The touching pastoral idyll, populated by festive villagers, featuring the beautiful and tender somnambulist, Amina, diaphanous like a Chopin nocturne, could not fail to hit the mark, in 1831, when the world was passionate about strange phenomena and sleepwalking, in particular.

Intended for the stars of the stages, Giuditta Pasta and Giovanni Rubini, the masterpiece, quintessence of Bellini's vocal art and crowned with a fine lieto , a happy ending, displays a lyricism that culminates in the famous cavatina of Amina "Ah! Non credea mirarti” where the desperate heroine, unjustly accused of infidelity, believes she feels her death is near… some unforgettable notes which will appear on the tomb of Vincenzo Bellini in Catania, he who died early at the age of 34.

English

La sonnambula by Bellini, Da (2023/2023), Diretto da Jaco van Dormael, Michèle Anne De Mey,, Direttore d'orchestra Giampaolo Bisanti

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