Name: La Damnation de Faust
Start: 2022-09-24T00:00:00.000Z
End: 2022-10-15T00:00:00.000Z
Location: Landestheater Coburg

Organization

Stage director

Neil Barry Moss

Set designer

Costume designer

Conductor

Daniel Carter

Chorus master

Mikko Sidoroff

Dramaturge

Dorothee Harpain

Singer

Bass

Michael Lion

Mephistopheles

Soprano

Emily Lorini

Marguerite

Bartosz Araszkiewicz

Brander

Rannveig Káradóttir

Celestial voice

André Sievers

Tenor

Jason Kim

Faust

Nicole Horny

Gott

Landestheater Coburg

Orchestra

Philharmonisches Orchester Landestheater Coburg

Others

Symphonischer Chor Bamberg

Chor des Landestheaters Coburg

Statisterie des Landestheaters Coburg

Extrachor des Landestheaters Coburg

La Damnation de Faust -  (The Damnation of Faust)

Coburg

Germany

Grosses Haus

La Damnation de Faust Berlioz

Public

The Damnation of Faust

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Baritone

Countertenor

Mezzo-soprano

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

La Damnation de Faust

Zwischen großer Oper, Chorsinfonie und Oratorium schuf Hector Berlioz mit der 1846 uraufgeführten „légende dramatique“ eine ganz eigene „Faust“-Adaption: Er greift einzelne Episoden aus der allbekannten Handlung heraus und zeigt Faust als romantisch-melancholische, von Einsamkeit und „ennui“ ergriffene Figur. Faust ist des Lebens überdrüssig, fühlt sich der Welt und Gesellschaft entfremdet – da verspricht ihm Méphistophélès die Erfüllung all seiner Wünsche. Er führt ihn in Auerbachs Keller und weckt Fausts Verlangen nach der jungen Marguerite, die sich hoffnungslos in ihn verliebt. Sie tötet aus Liebe zu ihm ihre Mutter und wird zum Tode verurteilt. Faust versucht, sie zu retten …


Mit charaktervollen Solonummern und großen Chorszenen zeigt sich Hector Berlioz einmal mehr als Meister der orchestralen Klangfarben und der musikalischen Suggestion – seien es die Naturbilder, Fausts Höllenritt oder Marguerites himmlische Apotheose. In dem besonderen Ambiente der Morizkirche inszeniert der junge Regisseur Neil Barry Moss, der bereits mit großem Erfolg „Das Rheingold“ auf dem Parkdeck in Berlin in Szene setzte, das Stück als Spiel zwischen Gott und Teufel um Fausts Seele. Faust, Marguerite und ihr Mann Brander werden wie Schachfiguren gelenkt und suchen ihren Weg zwischen Verdammnis und Erlösung.

Deutsch

Between great opera, choral symphony and oratorio, Hector Berlioz created his very own "Faust" adaptation with the "légende dramatique", which premiered in 1846: he selects individual episodes from the well-known plot and shows Faust as romantic-melancholic, full of loneliness and "ennui". gripped figure. Faust is tired of life, feels alienated from the world and society - so Méphistophélès promises him the fulfillment of all his wishes. He leads him to Auerbach's cellar and arouses Faust's desire for young Marguerite, who falls hopelessly in love with him. She kills her mother out of love for him and is sentenced to death. Faust tries to save her...


With solo numbers full of character and large choral scenes, Hector Berlioz once again shows himself to be a master of orchestral timbres and musical suggestion - be it the images of nature, Faust's ride into hell or Marguerite's heavenly apotheosis. In the special ambience of the Morizkirche, the young director Neil Barry Moss, who has already staged "Das Rheingold" with great success on the parking deck in Berlin, stages the play as a game between God and the devil for Faust's soul. Faust, Marguerite and her husband Brander are guided like chess pieces and seek their way between damnation and redemption.

English

The Damnation of Faust by Berlioz, De la (2022/2022), Regizat de către Neil Barry Moss,, Dirijor Daniel Carter, Landestheater Coburg, Coburg, Germany

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