Name: La Cenerentola
Start: 2024-05-31T00:00:00.000Z
End: 2024-06-16T00:00:00.000Z
Location: Opernhaus

Organization

Conductor

Anna Skryleva

Chorus master

Alexander Stessin

Stage director

Lindy Hume

Choreographer

Friedrich Bührer

Set designer

Dan Potra

Costume designer

Lighting designer

Matthew Marshall

Dramaturge

Elisabeth Kühne

Singer

Mezzo-soprano

Yajie Zhang

Angelina

Soprano

Olga Jelínková

Clorinda

Nora Steuerwald

Tisbe

Tenor

Patrick Kabongo

Don Ramiro

Baritone

Jonathan Michie

Dandini

Bass

Sejong Chang

Alidoro

Opera Queensland

Oper Leipzig

New Zealand Opera

Orchestra

Gewandhausorchester

Others

Herren des Opernchores

Samuel Emanuel

Sandra Janke

Marc-Olivier Oetterli

Don Magnifico

ítalska

La Cenerentola -  (Cinderella)

Leipzig

Germany

Opernhaus

La Cenerentola Rossini

Private

Public

Cinderella

þýska

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Chorus Director

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Contralto

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Den Mythos vom »Aschenbrödel« oder »Aschenputtel« gibt es seit Jahrhunderten in verschiedenen Varianten in Europa, Afrika und Asien. In Deutschland wird er den meisten in der Version der Gebrüder Grimm bekannt sein. Eine weitere wichtige Bearbeitung ist Charles Perraults »Cendrillon ou la Petite Pantouffle de verre« (»Aschenputtel oder der kleine Glasschuh«) von 1697. Hier taucht zum ersten Mal das Motiv des Glasschuhs auf, der schließlich ausschlaggebend für die Liebe zwischen Aschenputtel und dem Prinzen wird. Auch der italienische Komponist Gioacchino Rossini nimmt 1817 mit seinem Librettisten Jacopo Ferretti das Aschenputtel-Märchen auf, unternimmt jedoch entscheidende Veränderungen: So ersetzt Ferretti den Glasschuh durch einen Armreif. Doch was ist Aschenputtel ohne ihren berühmten Schuh?

 

Rossini zeigt: Es muss nicht unbedingt der Schuh sein. Denn obwohl sich Rossini an Perraults »Cendrillon« orientiert, ist seine Oper kein Märchen. Vielmehr knüpft er mit »La Cenerentola« an die spielfreudige Commedia dell’arte an. Karnevalesk führen sich die Figuren durch zahlreiche Verkleidungen und Rollenwechsel gegenseitig in die Irre. So geht es bisweilen ziemlich turbulent zu – dennoch bleibt Raum für Momente tiefer Innigkeit und Poesie, wie nicht nur die Liebesszenen zwischen dem Aschenputtel Angelina und ihrem Prinzen Don Ramiro zeigen, sondern auch die brillante Musik Rossinis.

Deutsch

Prices: EUR 73/64/51/40/32/17
Discounts for eligible
tickets are available on Tel. 0341/ 126 1261 or www.oper-leipzig.de
Organizer: Leipzig Opera

The myth of »Cinderella« or »Cinderella« has existed in different variants in Europe, Africa and Asia for centuries. In Germany he will be known to most in the version of the Brothers Grimm. Another important adaptation is Charles Perrault's »Cendrillon ou la Petite Pantouffle de verre« (»Cinderella or the Little Glass Slipper«) from 1697. Here the motif of the glass slipper appears for the first time, which is ultimately decisive for the love between Cinderella and the prince becomes. The Italian composer Gioacchino Rossini also took up the Cinderella fairy tale with his librettist Jacopo Ferretti in 1817, but made decisive changes: Ferretti replaced the glass slipper with a bracelet. But what is Cinderella without her famous shoe?

 

Rossini shows: It doesn't necessarily have to be the shoe. Because although Rossini is based on Perrault's »Cendrillon«, his opera is not a fairy tale. Rather, with »La Cenerentola« he ties in with the playful Commedia dell'arte. Carnivalesque, the characters mislead each other through numerous disguises and role changes. It's quite turbulent at times - but there is still room for moments of deep intimacy and poetry, as not only the love scenes between Cinderella Angelina and her prince Don Ramiro show, but also Rossini's brilliant music.

English

Cinderella by Rossini, Frá (2024/2024), Leikstýrt af Lindy Hume,, Hljómsveitarstjóri Anna Skryleva, Samuel Emanuel, Opernhaus, Leipzig, Germany

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