Name: La cena delle beffe
Start: 1988-12-14T00:00:00.000Z
End: 1988-12-14T00:00:00.000Z
Location: Teatro Giordano

Organization

Singer

Tenor

Fabio Armiliato

Giannetto Malespina

Soprano

Rita La Vecchia

Ginevra

Baritone

Marco Chingari

Neri Chiaramantesi

Francesco Piccoli

Gabriello Chiaramantesi

Giovanna Manci

Lisabetta

Conductor

Gian Paolo Sanzogno

Costume designer

Dario Micheli

Orchestra

Orchestra di Piacenza

Teatro Umberto Giordano

La cena delle beffe -  (The Feast of Jests)

Foggia

Italy

THEATER GIOR DANO DI FOGGIA 14/12/1988 Umberto Giordano THE DINNER OF THE BEFFE - Giannetto Malespini FABIO ARMILIATO Ginevra RITA LANTIERI Neri Chiaramantesi MARCO CHINGARI Gabriello Chiaramantesi FRANCESCO PICCOLI Lisabetta GIOVANNA MANCI Orchestra of Piacenza Conductor GIAN PAOLO Directed by: GIAN PAOLO VIDEO is very dark due to the poor quality of the camera lens used, considering that we are in 1988 and the support was VHS. ________________________________________________ In 1987, after a few years of career, I was offered the work of Giordano LA CENA DELLE BEFFE, based on a text by Sem Benelli at the Wexford Festival. A difficult work, at times almost impossible and above all a formidable and even a bit risky test for a young tenor ... I auditioned and they assigned me the role. The production was a great success and opened the doors of international theaters to me, laying the foundations for my career even outside Italy. In the wake of this success, the proposal to inaugurate the Teatri Giordano in Foggia at the end of 1988 soon arrived, with the same title that had never been performed in the native city of the Apulian composer. Even in that circumstance the success arrived truly incredible sealed and amplified also by the record recording made by Bongiovanni. This production followed my debut in I VESPRI SICILIANI in Barletta and chronologically preceded the performance in Parma of UN BALLO IN MASCHERA which I have previously published on this channel. Good vision! The production was a great success and opened the doors of international theaters to me, laying the foundations for my career even outside Italy. In the wake of this success, the proposal to inaugurate the Teatri Giordano in Foggia at the end of 1988 soon arrived, with the same title that had never been performed in the native city of the Apulian composer. Even in that circumstance the success arrived truly incredible sealed and amplified also by the record recording made by Bongiovanni. This production followed my debut in I VESPRI SICILIANI in Barletta and chronologically preceded the performance in Parma of UN BALLO IN MASCHERA which I have previously published on this channel. Good vision! The production was a great success and opened the doors of international theaters to me, laying the foundations for my career even outside Italy. In the wake of this success, the proposal to inaugurate the Teatri Giordano in Foggia at the end of 1988 soon arrived, with the same title that had never been performed in the native city of the Apulian composer. Even in that circumstance the success arrived truly incredible sealed and amplified also by the record recording made by Bongiovanni. This production followed my debut in I VESPRI SICILIANI in Barletta and chronologically preceded the performance in Parma of UN BALLO IN MASCHERA which I have previously published on this channel. Good vision! In the wake of this success, the proposal to inaugurate the Teatri Giordano in Foggia at the end of 1988 soon arrived, with the same title that had never been performed in the native city of the Apulian composer. Even in that circumstance the success arrived truly incredible sealed and amplified also by the record recording made by Bongiovanni. This production followed my debut in I VESPRI SICILIANI in Barletta and chronologically preceded the performance in Parma of UN BALLO IN MASCHERA which I have previously published on this channel. Good vision! In the wake of this success, the proposal to inaugurate the Teatri Giordano in Foggia at the end of 1988 soon arrived, with the same title that had never been performed in the native city of the Apulian composer. Even in that circumstance the success arrived truly incredible sealed and amplified also by the record recording made by Bongiovanni. This production followed my debut in I VESPRI SICILIANI in Barletta and chronologically preceded the performance in Parma of UN BALLO IN MASCHERA which I have previously published on this channel. Good vision! Even in that circumstance the success arrived truly incredible sealed and amplified also by the record recording made by Bongiovanni. This production followed my debut in I VESPRI SICILIANI in Barletta and chronologically preceded the performance in Parma of UN BALLO IN MASCHERA which I have previously published on this channel. Good vision! Even in that circumstance the success arrived truly incredible sealed and amplified also by the record recording made by Bongiovanni. This production followed my debut in I VESPRI SICILIANI in Barletta and chronologically preceded the performance in Parma of UN BALLO IN MASCHERA which I have previously published on this channel. Good vision!

Teatro Giordano

La cena delle beffe Giordano

Public

The Feast of Jests

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Bass-baritone

Contralto

Bass

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

The Feast of Jests by Giordano, From (1988/1988), Conductor Gian Paolo Sanzogno, Teatro Giordano, Foggia, Italy

Performance credits (Cast & Crew )

Cast

Crew

Ensemble

Programme, About & Synopsis

Photos

Further reading

Performance Dates & Venues

Venues