Name: Khovanshchina
Start: 2007-05-15T00:00:00.000Z
End: 2007-06-03T00:00:00.000Z
Location: Gran Teatre del Liceu

Organization

Basso

Vladimir Ognovenko

Il Principe Ivan Chovanskij

Tenore

Vladimir Galouzine

Il Principe Andrej Chovanskij

Robert Brubaker

Il Principe Vasilij Golicyn

Baritono

Nikolai Putilin

Fëdor Šaklovityj

Vladimir Vaneev

Dosifej

Mezzosoprano

Elena Zaremba

Marfa

Soprano

Nataliya Tymchenko

Emma

Graham Clark

Scrivano

Alexei Tanovitski

Varsonofev

Francisco Vas

Kuz'ka

Mikhaïl Vekua

Strešnev

José Ruiz

Uomo di fiducia del Principe Golicyn

Direzione d'orchestra

Michael Boder

Regia

Stein Winge

Scenografia

Chloe Obolensky

Costumi

Claudie Gastine

Luci

Davy Cunningham

Coreografia

Inge-Johanne Rütter

Gran Teatre del Liceu

Others

Cor del Gran Teatre del Liceu

Orchestra

Symphony Orchestra of the Gran Teatre del Liceu

Khovanshchina -  (Kovancina)

Barcellona

Spagna

Sala Miralls

Khovanshchina by Mussorgsky from Gran Teatre del Liceu, performed at Gran Teatre del Liceu, Barcelona, 2007. Directed by Stein Winge, conductor Michael Boder. Starring Vladimir Ognovenko (Ivan Khovansky), Vladimir Galouzine (Andrei Khovansky), Robert Brubaker (Vasily Golitsyn), Nikolai Putilin (Shaklovity), Vladimir Vaneev (Dosifei) and Elena Zaremba (Marfa). Subtitled in English, German, French, Italian, Spanish and Catalan.

A lyrical drama in a context of political, religious and cultural revolution, in the heart of the late 17th century in Russia.

The story takes place during the 1682 revolt opposing the Old Believers and the New Orthodox. Ivan Khovanski (Vladimir Ognovenko), head of the streltsy's uprising, embodies the movement of religious indignation which ends up being bloodily crushed.

This posthumous work by Mussorgky, whose score was completed by Shostakovitch a few years after the composer's death, is here staged by Stein Winge for the Gran Teatre del Liceu in Barcelona.

According to the specialists, Boris Godunov might be Mussorgsky's best-known work, but Khovanshchina is obviously the composer's greatest masterpiece. The choir parts carry the essence of the "Russian spirit" and the score of the opera furnished important material to the Red Army Choir.

Public

Kovancina

Approvato

Libretto di produzione

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