Name: Khovanshchina
Start: 2007-05-15T00:00:00.000Z
End: 2007-06-03T00:00:00.000Z
Location: Gran Teatre del Liceu

Organization

Bass

Vladimir Ognovenko

Prince Ivan Khovansky

Tenor

Vladimir Galouzine

Prince Andrey Khovansky

Robert Brubaker

Prince Vasiliy Golitsin

Baritone

Nikolai Putilin

Shaklovity

Vladimir Vaneev

Dosifey

Mezzo-soprano

Elena Zaremba

Marfa

Soprano

Nataliya Tymchenko

Emma

Graham Clark

Scrivener

Alexei Tanovitski

Varsonofyev

Francisco Vas

Kuzka

Mikhaïl Vekua

Streshnev

José Ruiz

Golitsin's messenger

Conductor

Michael Boder

Stage director

Stein Winge

Set designer

Chloe Obolensky

Costume designer

Claudie Gastine

Lighting designer

Davy Cunningham

Choreographer

Inge-Johanne Rütter

Gran Teatre del Liceu

Others

Cor del Gran Teatre del Liceu

Orchestra

Symphony Orchestra of the Gran Teatre del Liceu

Khovanshchina

Barcelona

Spain

Sala Miralls

Khovanshchina by Mussorgsky from Gran Teatre del Liceu, performed at Gran Teatre del Liceu, Barcelona, 2007. Directed by Stein Winge, conductor Michael Boder. Starring Vladimir Ognovenko (Ivan Khovansky), Vladimir Galouzine (Andrei Khovansky), Robert Brubaker (Vasily Golitsyn), Nikolai Putilin (Shaklovity), Vladimir Vaneev (Dosifei) and Elena Zaremba (Marfa). Subtitled in English, German, French, Italian, Spanish and Catalan.

A lyrical drama in a context of political, religious and cultural revolution, in the heart of the late 17th century in Russia.

The story takes place during the 1682 revolt opposing the Old Believers and the New Orthodox. Ivan Khovanski (Vladimir Ognovenko), head of the streltsy's uprising, embodies the movement of religious indignation which ends up being bloodily crushed.

This posthumous work by Mussorgky, whose score was completed by Shostakovitch a few years after the composer's death, is here staged by Stein Winge for the Gran Teatre del Liceu in Barcelona.

According to the specialists, Boris Godunov might be Mussorgsky's best-known work, but Khovanshchina is obviously the composer's greatest masterpiece. The choir parts carry the essence of the "Russian spirit" and the score of the opera furnished important material to the Red Army Choir.

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