Name: Jakub Hrůša mit Hosokawa und Suk
Start: 2023-06-29T00:00:00.000Z
End: 2023-06-30T00:00:00.000Z
Location: Tonhalle Zürich

Organization

Singer

Christian Schmitt

Organ

Conductor

Jakub Hrůša

Orchestra

Tonhalle-Orchester Zürich

Jakub Hrůša mit Hosokawa und Suk

Zurich

Switzerland

Tonhalle Zürich

Grosse Tonhalle

Jakub Hrůša mit Hosokawa und Suk: «Umarmung – Licht und Schatten» für Orgel und Orchester (+1 More)

Public

«Umarmung – Licht und Schatten» für Orgel und Orchester

Symphony No.2 'Asrael', Op.27

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Contralto

Soprano

Mezzo-soprano

Tenor

Baritone

Bass

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Als die neue Tonhalle-Orgel entworfen wurde, war das Ziel ein Instrument, das sich mit dem Orchesterklang verbindet. Wie gut es das tut, wird in Howokawas «Umarmung» zu hören sein – einem Werk, in dem das Verschmelzen von Orgel und Orchester als Metapher einer Umarmung zwischen zwei Menschen verstanden wird. Der Untertitel «Licht und Schatten» passt dann auch für das zweite Werk des Programms: Der tschechische Komponist Josef Suk hatte seine zweite, nach dem Todesengel Asrael benannte Sinfonie eigentlich als Hommage an seinen verstorbenen Schwiegervater und Inspirator Antonín Dvořák gedacht; als dann auch noch seine Frau starb, wurde das Werk zu einem doppelten Requiem. Gleichzeitig signalisierte es einen Neubeginn, denn in dieser Sinfonie fand Suk zu seinem eigenen, überaus klangsinnlichen Stil.

Deutsch

When the new Tonhalle organ was designed, the goal was an instrument that would blend with the orchestral sound. How good that is will be heard in Howokawa's "Hug" - a work in which the merging of organ and orchestra is understood as a metaphor of an embrace between two people. The subtitle "Light and Shadow" is also suitable for the second work in the program: the Czech composer Josef Suk actually intended his second symphony, named after the angel of death Asrael, as a homage to his deceased father-in-law and inspirer Antonín Dvořák; when his wife also died, the work became a double requiem. At the same time, it signaled a new beginning, because in this symphony Suk found his own, extremely sensual style.

English

Jakub Hrůša mit Hosokawa und Suk by Hosokawa, Suk, J., From (2023/2023), Conductor Jakub Hrůša, Tonhalle Zürich, Zurich, Switzerland

Performance credits (Cast & Crew )

Cast

Ensemble

Programme, About & Synopsis

Photos

Further reading

Performance Dates & Venues

Venues