Name: Im weißen Rößl
Start: 2022-03-27T00:00:00.000Z
End: 2022-03-27T00:00:00.000Z
Location: Teatro Donizetti

Organization

Śpiewak

Antonio Colamorea

Singers

Susie Helena Georgiadis

Fulvio Massa

Domingo Stasi

Elena Rapita

Marco Falsetti

Kostiumy

Artemio Cabassi

Scenografia

Choreografia

Salvatore Loritto

Reżyseria

Alessandro Brachetti

Dyrygent

Stefano Giaroli

Fondazione Teatro Donizetti

Orchestra

Orchestra Cantieri d'Arte

Im weißen Rößl -  (Gospoda Białego Konika)

Bergamo

Włochy

Teatro Donizetti

Im weißen Rößl Benatzky

Public

Gospoda Białego Konika

Approved

Instrumentalist

Pianista

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Trombonist

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Kompozytor / -ka

Libretto

Reżyseria światła

Taniec

Aktor

Przygotowanie chóru

Wideo

Dramaturgia

Tłumaczenie

Realizacja dźwięku

Korepetytor /- ka

Makijaż

Produkcja wykonawcza

Fryzjer

Other

Stage Manager

Chór

Orkiestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Baryton

Singer

Bas - baryton

Tenor

Mezzosopran

Sopran

Kontralt

Kontratenor

Spoken

Głos dziecięcy

Silent

Alto

Continuo

Al Cavallino Bianco is, after La Vedova Allegra , the second operetta in Europe today in terms of popularity and notoriety. Suffice it to say that, without going back to its numerous reappearances on the scene between the two wars, the brilliant show is still represented today in the most important theaters in Europe. Well, these summary but eloquent statistical data is matched by another no less significant observation: the work has always been performed in front of exhausted theaters. Like all great theatrical successes, even that of Al Cavallino Biancohas its own little history, largely linked to the curious singularity that his music, although generally signed by Ralph Benatzky, is actually due to as many as five composers. And it is this particularity that makes it so fresh, varied and joyful. Things went like this. Around 1930 a witty comedy was arousing waves of laughter on the German scenes in which a cheerful satire of holidays near the high mountain lakes was made. It was the frank comedy of the story that suggested to two Berlin theater experts, Erich Charell and Hans Müller, to draw inspiration for a hilarious musical comedy: an operetta-magazine, in short, the link between operetta and musical.

On November 10, 1930, reviewing the world premiere of Al Cavallino Bianco, the Berliner Tageblatt wrote: "This operetta is a subscription to happiness, a man cannot expect more." This is also the spirit of the staging of the Compagnia Teatro Musica Novecento, with a rich and sparkling dramaturgy, with the characters well characterized in their peculiar sympathy. We are in Austria, on Lake S. Wolfgang, where the Hotel Al Cavallino Bianco is located. The first waiter of the hotel, Leopoldo, loves the beautiful owner Gioseffa, who, however, does not deserve him a glance because he turns his attention to a young Italian client, the lawyer Giorgio Bellati who, like every year, spends his holidays on the the needle…

English

Gospoda Białego Konika by Benatzky, od (2022/2022), W reżyserii Alessandro Brachetti,, Dyrygent Stefano Giaroli, Teatro Donizetti, Bergamo, Włochy

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca