Name: Il Trittico
Start: 2022-01-22T00:00:00.000Z
End: 2022-06-15T00:00:00.000Z
Location: Aalto Theatre

Organization

Soprano

Annemarie Kremer

Giorgetta

Tenor

Sergey Polyakov

Luigi

Mezzo-soprano

Bettina Ranch

La Frugola

Giulia Montanari

A female lover

Stage director

Roland Schwab

Costume designer

Gabriele Rupprecht

Set designer

Piero Vinciguerra

Dramaturge

Christian Schröder

Chorus master

Patrick Jaskolka

Baritone

Heiko Trinsinger

Michele

Uwe Eikötter

Tinca

Bass

Baurzhan Anderzhanov

Talpa

Jessica Muirhead

Sister Angelica

Contralto

The Princess

Marie-Helen Joël

The Abbess

Liliana Sofia Ferreira de Sousa

Sister Zelatrice

Marion Thienel

The Mistress of the novices

Sister Genovieffa

Gianni Schicchi

Lilian Farahani

Lauretta

Zita

Carlos Cardoso

Rinuccio

Gherardo

Christina Clark

Nella

Betto di Signa

Christoph Seidl

Simone

Tobias Greenhalgh

Marco

La Ciesca

Conductor

Ouri Bronchti

Sophie Witte

Matthias Wippich

Gereon Grundmann

Maestro Spinelloccio

Martin Stoschka

Ser Amantio di Nicolao

Demian Matushevskyi

Pinellino

Anna Werle

Michaela Sehrbrock

Sister Osmina

Christina Hackelöer

Sister Dolcina

Helga Wachter

First alms sister

Iva Seidl

Second alms sister

Uta Schwarzkopf

First lay sister

Sabina Wehlte

Second lay sister

Stefanie Rodriguez

First novice

Ilkin Alpay

Andreas Baronner

Michael Haag

Ullrich Franke

Guccio

Yevhen Rakhmanin

Carlos Moreno Pelizari

Roberto Rizzi Brignoli

Alexander Joel

Leonid Shoshyn

Christopher Hochstuhl

A male lover

A song seller

Francesca Tiburzi

Andrew Finden

Aalto-Musiktheater Essen

italiensk

Il Trittico

Essen

Germany

Aalto Theatre

Il tabarro Puccini

Public

The Cloak

tysk

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Lighting designer

Dancer

Actor

Video designer

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Countertenor

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Il Trittico: Il tabarro Puccini (+2 More)

IL TRITTICODrei einaktige Opern von Giacomo Puccini"Il Tabarro": Libretto von Giuseppe Adami"Suor Angelica" und "Gianni Schicchi": Libretto von Giovacchino F...

A jealous drama in the style of a film noir in Paris on the Seine. The mystical transfiguration of a nun in a monastery at the end of the 17th century. A medieval Florence inheritance comedy with so many turbulent twists and turns it makes you dizzy. Three stories, three operas, one evening. At first glance, they don't have much in common, the one-act plays that Giacomo Puccini summarized in 1918 under the fitting, albeit somewhat cumbersome title “Il Trittico”, a “triptych” consisting of three parts, and brought out at the Met in New York. And yet they are linked to one another as a unit, representing three different ways in which one can deal with life and death. Is human existence a melodrama or is it more of a comedy? Or even a thriller? It all depends on the perspective!

The one-act act has a long tradition in Italy since the comic interludes of baroque opera. In 1883 the Italian publisher Sonzogno indicated a possible direction to step out of the shadow of the extensive works of Wagner and Verdi when it announced a competition for one-act opera. Puccini went away empty-handed with his “Le Villi”, but the idea of ​​writing one-act plays would not let him go. First he wanted to dedicate himself to three episodes from Dante's “Divine Comedy” and thus depict Hell, Purgatory and Paradise. After almost 20 years of work and search for material, all that remained of Dante was the comic opera about the Florentine prankster Gianni Schicchi.

Despite this unusual structure, Puccini remains true to himself and his aesthetics: unhappy lovers, heartbreaking death scenes and an unerring feeling for the needs of the common people make the one-act opera a great opera. And with the aria “O mio babbino caro” the composer wrote one of his most famous and popular melodies, which is also widely used in films and advertising.

English

Ein Eifersuchtsdrama im Stil eines film noir in Paris an der Seine. Die mystische Verklärung einer Nonne in einem Kloster Ende des 17. Jahrhunderts. Eine mittelalterliche Erbschaftskomödie in Florenz mit so vielen turbulenten Wendungen, dass einem schwindelig wird. Drei Geschichten, drei Opern, ein Abend. Auf den ersten Blick haben sie nicht viel gemeinsam, die Einakter, die Giacomo Puccini 1918 unter dem passenden, wenn auch etwas sperrigen Titel „Il Trittico“, ein aus drei Teilen bestehendes „Triptychon“, zusammenfasste und in New York an der Met herausbrachte. Und doch sind sie miteinander zu einer Einheit verbunden, indem sie drei verschiedene Arten repräsentieren, wie man mit Leben und Tod umgehen kann. Ist das menschliche Dasein ein Melodram oder doch eher eine Komödie? Oder gar ein Krimi? Auf den Blickwinkel kommt es an!

Die Form des Einakters hat in Italien seit den komischen Intermezzi der Barockoper eine lange Tradition. 1883 wies der italienische Verlag Sonzogno eine mögliche Richtung aus dem Schatten der umfangreichen Werke Wagners und Verdis herauszutreten, als er einen Wettbewerb für Operneinakter ausschrieb. Puccini ging hier mit seinen „Le Villi“ noch leer aus, doch die Idee, Einakter zu schreiben, sollte ihn nicht mehr loslassen. Zunächst wollte er sich drei Episoden aus Dantes „Göttlicher Komödie“ widmen und damit die Hölle, das Fegefeuer und das Paradies abbilden. Nach den fast 20 Jahren der Arbeit und Stoffsuche sollte von Dante schließlich nur noch die komische Oper über den florentinischen Schelm Gianni Schicchi übrigbleiben.

Deutsch

Il Trittico by Puccini, Fra (2022/2022), Instrueret af Roland Schwab,, Dirigent Ouri Bronchti, Roberto Rizzi Brignoli, Alexander Joel, Aalto Theatre, Essen, Germany

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