Name: Il canto s'attrista, perche?
Start: 2020-05-08T00:00:00.000Z
End: 2020-05-31T00:00:00.000Z
Location: Opernhaus

Organization

Chanteur

Soprano

Ralitsa Ralinova

Cassandra

Mezzo-soprano

Iris Marie Sojer

Clitemestra

Contre-ténor

Rupert Enticknap

Guardiano

Baryton

Simon Stricker

Agamemnon

Baryton-basse

Gerard Farreras

Araldo

Ja-Young Park

Soloquartett

Katharina Greiß

Marco Agostini

Javier Horacio Zapata Vera

Direction d'orchestre

Johannes Pell

Mise en scène

Nigel Lowery

Décors

Direction de choeur

Markus Baisch

Dramaturgie

David Greiner

Costumes

Stadttheater Klagenfurt

Wuppertaler Bühnen

Orchestra

Sinfonieorchester Wuppertal

Others

Opernchor der Wuppertaler Bühnen

italien

Il canto s'attrista, perche?

Wuppertal

Allemagne

Opernhaus

Il canto s'attrista, perche? Sciarrino

Public

Private

allemand

Valide

n this »missing link« between Christoph Willibald Gluck's Iphigenia operas and Richard Strauss' Elektra, the betrayed Klytämnestra finally has her say.

In Mycenae we learn of the return of King Agamemnon, who has conquered Troy after ten years of war and is now returning home with Cassandra as his slave and mistress. His wife Klytämnestra can neither forgive him for the sacrifice of her daughter Iphigenia nor for the present adultery and takes terrible revenge.

Salvatore Sciarrino – well known in Wuppertal after a number of premieres and world premieres over the past few decades, most recently ›La porta della legge‹ in 2009 – is one of the most important contemporary Italian composers and has been looking at major theatrical material from a different perspective for years. After versions of 'Macbeth' and 'Lohengrin' he now turns to ancient Greek literature: Aeschylus' 'Oresteia'.

English

Deutsch

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble

Coproducteur