Organization

Dirigent

Daniel Oren

Regissör

Sarah Schinasi

Scenograf

Pier Paolo Bisleri

Kostym designer

Françoise Raybaud

Sångare

Tenor

Ramón Vargas

Oronte

Soprano

Salome Jicia

Giselda

Bass

Goderdzi Janelidze

Pagano

Luca Dall'Amico

Pirro

Aurore Daubrun

Viclinda

Caroline De Mahieu

Sofia

Roger Joakim

Acciano

Ljus designer

Bruno Ciulli

Opéra Royal de Wallonie - Liège

Matteo Roma

Arvino

Xavier Petithan

Un priore della città di Milano

Others

Choeur de l'Opéra Royal de Wallonie-Liège

Orchestra

Royal Opera of Wallonia Orchestra

italienska

I lombardi alla prima crociata

Liège

Belgien

I lombardi alla prima crociata Verdi

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Broadcasting

Chorus Director

Dansare

Dramaturg

Exekutiv producent

Extra

Hårstylist

Illustrator

Kompositör

Koreograf

Kör

Körledare

Librettist

Ljud designer

Orchestra Operations

Orkester

Other

Photographer

Poet

Repetitör

Skådespelare

Sminkartist

Stage Manager

Teacher

Tolk

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Contralto

Bass-baritone

Mezzo-soprano

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

I Lombardi alla Prima Crociata : présentation de l'œuvre

"Although underestimated today, I Lombardi nevertheless belongs to the work, certainly youthful but already glorious, of Verdi, who, on the strength of the success achieved by Nabucco , confirms with this new opera his masterful flight in the field of lyrical art. »
Marie Aude Roux

Pagano, in love with his brother Arvino's wife, kills his father by mistake. He goes into exile in the Holy Land and renounces love. In the guise of a hermit, he helps the Crusaders, led by Arvino, to deliver Antioch, whose tyrant is holding his daughter, then to liberate Jerusalem: victory sounds. The mysterious hermit reveals himself, Pagano confesses his crime and dies forgiven.

For La Scala in Milan, Verdi composed, in 1843, a work recounting a family drama with hints of amorous rivalries between two brothers in the context of the First Crusade. The libretto of I Lombardi alla Prima Crociata , directed by Temistocle Solera, already author of that of Nabucco , incorporates numerous patriotic allusions. Within the framework of the Risorgimento and following the famous "Va pensiero" which had brought the work to both musical and political success, one could only see in it the hope of a hypothetical independence and unification of Italy. . Verdi became a sort of tribune of the people who, thanks to his art, carried the hopes of the revolutionary Giuseppe Mazzini, he who, a few years earlier, in hisPhilosophy of Music , dedicated his artistic advice to this ignoto numini , this young unknown who, perhaps somewhere in the country, is tormented by inspiration and who encloses within himself the secret of a musical era… all is said !

English

I lombardi alla prima crociata by Verdi, Från (2023/2023), Regisserad av Sarah Schinasi,, Dirigent Daniel Oren

Föreställningskrediter (Medverkande & produktionsteam )

Medverkande

Besättning

Ensemble

Program, Om & Synopsis

Videoklipp

Foton

Vidare läsning

Föreställningsdatum och lokaler

Spelplatser